Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
Even if you have only a passing knowledge of Almodóvar’s work – mine is pretty much limited to his greatest hits – or his upbringing, Salvador Mallo (Antonio Banderas, in their eighth collaboration) is in inescapably his proxy.…
And what better way to tackle an expansive, rambling tapestry of a movie than by having a rambling, discursive chat of their own (written view available here).…
POSSIBLE SPOILERS THROUGH IMPLICATION
His dialogue is slangy and irreverent, immediately quotable; loaded with pop culture references and yet oddly timeless for it. Part of that is Tarantino’s range of influences: Pulp Fiction, for instance, borrows from both the Golden Age of Hollywood – as with the briefcase inspired by Kiss Me Deadly – and the French New Wave, Mia’s “comfortable silences” bit being directly lifted wholesale from Vivre Sa Vie.…
First up we have Spider-Man: Far From Home. Can the latest film in the Marvel Cinematic Universe swing as high as Spider-Man: Homecoming or Avengers: Endgame? Or Into the Spider-Verse for that matter?…
Regular listeners will know that frequent ESP contributor Ian Bird knows his movies. What you may not be aware of is Ian’s 10-year-old son Ronan is also something of a film authority, particularly when it comes to monster flicks.…
But, they do talk about the long, windy road of this 19-year-old franchise, why in some ways it is superior to the MCU, where it has stumbled, and what they think of the latest instalment.…
Those three episodes looked at George A. Romero’s six Dead films, his other movies and the zombie explosion and totalled just under six hours of edited podcast time.…
Recorded six hours into an eight hour podcasting marathon, this episode sees our intrepid casters in pod Rob Daniel, Rob Wallis and Ian Bird ever-so slightly punchy. …
No spoilers here, and also no spoilers for the film itself until the podcast gets into the spoiler zone.…
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