Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
By Rob Daniel
A contender for 2019’s best crowd-pleaser, The Peanut Butter Falcon is a celebration of friendship and adventure. A joyous movie leaving you with an aching face after ninety-minutes of smiling.
Alongside the delight is an admiration for the skill with which writer/directors Tyler Nilson and Mike Schwartz (under the banner Lucky Treehouse) put their movie together.…
The Magistrate (Mark Rylance) is, despite his grand title, an administrator, whose unobtrusive care-takingof a small nameless settlement on the frontier of The Empire gives plenty of time for pastimes.…
The Electric Shadows Podcast reaches Bill and Ted’s favourite number. In episode 69 Robs Daniel and Wallis stare into the deadlights of IT Chapter Two, the follow-up to the 2017 smash hit IT.
Rob Daniel is none too impressed at how much has been chopped out of Stephen King’s novel, despite the 171 minutes running time.…
Episode 68 of The Electric Shadows Podcast sees Robs Daniel & Wallis look back at the Arrow Video FrightFest’s twentieth anniversary festival and run-down their top 10 films. Gems such as Rabid, The Dark Red, Ready or Not and Scary Stories to Tell in the Dark all get warm words.…
But, Jack (Danilo Gentili), Fred (Leo Lins), Tulio (Murilo Cuoto) and Caroline (Dani Calabresa) are in for a night full of surprises.…
A year on from the disappearance of eight-year-old Maisie, her family gather in commemoration at the house of her parents Ray (Mel Radio) and Olivia (Laura Fraser).…
You might not be prepared, though, for one of the oddest, bloodiest, and most strangely poignant horror-comedies you’re likely to see all year.…
Even if you have only a passing knowledge of Almodóvar’s work – mine is pretty much limited to his greatest hits – or his upbringing, Salvador Mallo (Antonio Banderas, in their eighth collaboration) is in inescapably his proxy.…
And what better way to tackle an expansive, rambling tapestry of a movie than by having a rambling, discursive chat of their own (written view available here).…
POSSIBLE SPOILERS THROUGH IMPLICATION
His dialogue is slangy and irreverent, immediately quotable; loaded with pop culture references and yet oddly timeless for it. Part of that is Tarantino’s range of influences: Pulp Fiction, for instance, borrows from both the Golden Age of Hollywood – as with the briefcase inspired by Kiss Me Deadly – and the French New Wave, Mia’s “comfortable silences” bit being directly lifted wholesale from Vivre Sa Vie.…
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