REVIEW: Poor Things [London Film Festival 2023]

A mashup Victorian melodrama with a sting in the tale, Poor Things’ greatest trick is hiding the seams.

Yorgos Lanthimos’ first film since 2018’s The Favourite, Poor Things is a female Bildungsroman in which a still-developing young woman goes into the world to find herself.…

PODCAST: Nightmare Alley [Movie Robcast]

In episode 139 of The Movie Robcast, Robs Daniel and Wallis take a walk down the dark and deadly Nightmare Alley.

The new movie from the brilliant Guillermo del Toro is based on William Lindsay Gresham’s 1946 novel, previously adapted as a film noir in 1947, and features an dazzling cast including Bradley Cooper, Cate Blanchett, Rooney Mara, Toni Collette, Willem Dafoe, Ron Perlman, Richard Jenkins, and others. …

REVIEW: The Card Counter

For a film called The Card Counter, Paul Schrader’s latest has very little interest in games of chance.

William Tell (Oscar Isaac; self-contained, slicked-back hair), the eponymous card counter, is a creature of habit; in part a holdover from his time in prison.…

REVIEW: The Lighthouse [LFF 2019]

As in his 2015 directorial debut The Witch, Robert Eggers’ The Lighthouse grapples with the theme of spiritual annihilation, though in a way that’s altogether wetter, wilder, and weirder.

Robert Pattinson and Willem Dafoe star as two wickies, or lighthouse keepers, cut off on a crag of brine-blasted, inhospitable rock far from the mainland.If…

PODCAST: Oscar Nominations 2019 [Electric Shadows]

Rob Daniel & Rob Wallis touch the sore tooth that is Oscar nominations 2019.

They discuss the insanity, or at least inanity, of nominating Bohemian Rhapsody for Best Picture, and how safe the Best Picture nods are in general. They’re happy Spike Lee finally has his Best Director nomination, and acknowledge a few other things the Academy got right.…

REVIEW: Murder on the Orient Express (2017)

Kenneth Branagh’s Murder on the Orient Express is undoubtedly a grand production, but lacks the elegant simplicity to be a truly first-class entertainment.

Unlike Sydney Lumet’s 1974 adaptation, this is less a starry, lavishly-upholstered murder mystery than a modern-day blockbuster that just seems to be based on an Agatha Christie novel.…

REVIEW: The Florida Project & The Killing of a Sacred Deer

The Florida Project

In his follow-up to 2015’s Tangerine, Sean Baker gives us a confectionary, pastel-coloured ode to the “hidden homeless” in America’s Sunshine State.

The gaudy Magical Castle Motel may be located on Seven Dwarves Lane, virtually in the shadow of Disneyland, but life there is no fairy-tale for six-year-old Moonee (Brooklyn Prince, in an astonishingly shrewd performance) and her tatted-up single mum Hallee (Bria Vinaite).…

LFF Day 7: The Birth of a Nation, Dog Eat Dog, & I Am Not A Serial Killer

The Birth of a Nation

Reclaiming the title of D.W. Griffith’s feverishly racist silent epic, this ardent biography of conciliatory preacher turned revolutionary firebrand Nat Turner — written, directed by, and starring Nate Parker — makes a case for bloody retribution as the necessary, even inevitable, response to institutionalized evil.…

John Wick burns cool and bright

 

Like Nicholas Cage or Christopher Walken, Keanu Reeves is a very particular type of actor, a specialised tool best used in a particular context.

Put him a role that requires emotional heft and he’s wooden; give him an accent to master or reams of dialogue, like in Dracula or Much Ado About Nothing, and he flounders.…

A Most Wanted Man is a fitting elegy to a tremendous talent (RIP, Phillip Seymour Hoffman)

 

Anton Corbijn’s A Most Wanted Man has the distinction of being not only the first John Le Carré adaptation to reach our screens since Tomas Alfredson’s critically acclaimed Tinker, Tailor, Soldier, Spy back in 2011, but also the last leading role of Phillip Seymour Hoffman, who passed away back in February.