The major issue that almost every attempt to adapt beloved ‘80s TV franchises to the big screen is tone.
Michael Mann’s Miami Vice might have had cigarette boats and more suit jacket-t-shirt combos than you can shake a brick (of coke) at, but, amidst all the neo-noir stylings, it lost it sense of cool.…
An elite club populated by the best and brightest – or at least the richest and most (literally) entitled – of Oxford University; banned from campus and every nearby venue for their wild and destructive behavior; young men groomed for power, who grow up believing that money can buy them anything, including immunity from the law.
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What’s become of Liam Neeson?
The aquiline Northern Irishman, best known for the likes Schindler’s List, Michael Collins, and Kinsey, became an unlikely action hero when, at the age of fifty-six, he starred in the Luc Besson-produced Taken.…
Known though they are for their bleak crime dramas, the Nords aren’t particularly renowned for their sense of humor.
It’s only half surprising then that Hans Petter Moland’s In Order of Disappearance is both very, very bleak and very funny.…
David Collins, Dan Stevens’ character in Adam Wingard’s new thriller, The Guest, would be about as far removed as you can image from Matthew Crawley, the agreeable young gentleman he played in Downton Abbey.
Well, apart from the issues of manners: David is faultlessly polite, overflowing with “Sirs” and “Ma’ams”, even while bringing destruction down upon the heads of the Peterson clan.…
The Catacombs of Paris contain the remains of more than six million people.
Consisting of 200 miles of underground tunnel, much of it uncharted, to get lost down there, to lose your flashlight or to run out of water is to die.…