REVIEW: Hamnet (LFF 2025)

We all know how it ends.

That’s the strange power of Hamnet – its inevitability.

The film, directed by Chloé Zhao, adapted by her and Maggie O’Farrell’s from O’Farrell’s acclaimed novel, begins beneath the shadow of this foreknowledge: Shakespeare’s young son will die, and from that death will come the greatest tragedy in English literature.…

REVIEW: Wake Up Dead Man – A Knives Out Mystery (LFF 2025)

Its title sounds like a declaration of an in-built twist, but Wake Up Dead Man, Rian Johnson’s latest addition to the Knives Out universe, has loftier ambitions in mind.

After the classic manor-house intrigue of the original Knives Out and the sunlit, self-refractive satire of its sequel, Glass Onion, we find ourselves in the isolated parish our Our Lady of Perpetual Fortitude, in Chimney Rock, upstate New York.…

REVIEW: Poor Things [London Film Festival 2023]

A mashup Victorian melodrama with a sting in the tale, Poor Things’ greatest trick is hiding the seams.

Yorgos Lanthimos’ first film since 2018’s The Favourite, Poor Things is a female Bildungsroman in which a still-developing young woman goes into the world to find herself.…

BFI London Film Festival 2023: The best of the rest

Capsule reviews for all the rest of films I’ve seen during this year’s LFF, usually via the Press & Industry Digital Viewing Library.

Apolonia, Apolonia

Apolonia, Apolonia is a portrait of the artist as a young woman. Filmmaker Léa Glob first met Apolonia Sokol as a 21-year-old aspiring painter.…

REVIEW: The Zone of Interest [London Film Festival 2023]

With The Zone of Interest, his first film since 2013’s Under the Skin, Jonathan Glazer has created another masterpiece, a monstrously mundane meditation on the banality of evil.

Based on the novel by Martin Amis, the film focuses on the Höss family, Rudolph (Christian Friedel), Hedwig (Sandra Hüller), and their children.…

REVIEW: May December [London Film Festival 2023]

The latest film from director Todd Haynes, May December is a misleadingly sunny exploration of uncomfortable truths.

Elizabeth Berry (Natalie Portman) is a popular actor who has travelled to Savannah, Georgia, to spend some time with Gracie (Julianne Moore), who she is due to play in an upcoming TV movie.…

REVIEW: The Killer (2023) [London Film Festival 2023]

Three years on from the roaring historical drama of Mank, David Fincher returns with The Killer, a chilly, methodical thriller very much rooted in the present.

The Killer (Michael Fassbender, coolly compelling) is a professional.

His working life is meticulous, based on a routine designed to help him perform with maximum efficiency.…

REVIEW: The Bikeriders [London Film Festival 2023]

Everyone looks cool in leathers.

This would seem to be the main ethos behind Jeff Nichols’ The Bikeriders.

Based loosely on Danny Lyon’s photo-book of the same name, compiled from 1963-’67, the film follows the Vandals, a fictionalized Midwest motorcycle club composed mostly, in this telling, of movie stars and characters actors.…