Returning from a five-year hiatus, director Kathryn Bigelow seems likely to trouble Academy again with a film that, unlike the ambiguously pro-torture Zero Dark Thirty, shows the real factors at play behind “enhanced interrogation”.
A hard-hitting depiction of racial animus in America, Detroit opens with an animated prologue that uses vivid, mural-style artwork – like the wall of some grand municipal station brought to life – to lay out the plight of African-Americans in the lead up to 1967.…