Is Parker worth a trip to the cinema or just settling down in front of the telly?

A Saturday night trip to the movies with a mate, I’ve learned, doesn’t have to be to see an award worthy prestige pic (like The Master should have been at this years’ Oscars) or the newest high-profile Hollywood blockbuster (as The Hobbit: An Unexpected Journey proved simply to be).

The Incredible Burt Wonderstone is a feat of cinematic mediocrity

 

Stage magic has been something of a gift to cinema in recent years.

2006 saw both Christopher Nolan’s The Prestige, based on the book by Christopher Priest – which followed the exploits of rival magicians Hugh Jackman and Christian Bale – and Neil Burger’s The Illusionist, set in fin de siecle Vienna and starring Edward Norton as the eponymous conjurer who seeks to tear his love, Jessica Biel, away from a corrupt nobleman using feats of prestidigitation.

Arbitrage has a great performance in its plus column

 

ar·bi·trage  (är’b-träzh’) n. The purchase of securities on one market for immediate resale on another market in order to profit from a price discrepancy.

It’s from this practice that Nicholas Jarecki’s new film gains its title, and its protagonist, hedge-fund manager Robert Miller, played by Richard Gere, a career.