PODCAST: The Matrix: Resurrections [Movie RobCast]

We see just how deep the rabbit hole goes in our latest episode, as we return to the Matrix.

Does director and co-writer Lana Wachowski’s return to the franchise that revolutionised sci-fi action cinema pay off, or is it a case for deja vu all over again?…

PODCAST: Ghostbusters: Afterlife [Movie Robcast]

In ep 133 of The Movie Robcast, Robs Daniel & Wallis suit up, fire up their proton packs and try not to cross the streams as they deliver their verdict on Ghostbusters: Afterlife.

Will it please audiences more than the little-loved 2016 reboot, or is this just another case of 80s nostalgia swallowing its own tail?…

PODCAST: A Quiet Place Part II & Cruella [Movie RobCast]

Episode 117 of The Movie Robcast looks at two big releases, both of which are currently playing in cinemas!

John Krasinski’s A Quiet Place Part II was delayed from the beginning of the pandemic in 2020, arriving over a year later?…

REVIEW: The Cloverfield Paradox

By Rob Daniel
Twitter: rob_a_Daniel
iTunes Podcast: The Electric Shadows Podcast
The original Cloverfield is about everyday life jolted by a seismic event. Fitting then that home entertainment giant Netflix chose to surprise release this third instalment in producer J.J. Abrams’ anthology franchise.

Blair Witch gets a bit lost in the woods

There’s something ironic about having your phone confiscated when going in to see a found footage movie, as I did.

Initially marketed as an original project, The Woods – complete with misleading trailer footage of a very non-Maryland forest – Adam Wingard’s arboreal horror was unexpectedly revealed as a sequel to the genre-launching Blair Witch Project, which famously grossed almost a quarter of a billion off a budget of $60,000 all the way back in 1999.…

Star Trek Beyond gets ahead by going back to basics

 

Space is no longer the final frontier in cinema. In fact it’s a bit passé.

Where’s Kubrick’s star-child once evoked the wonder of journeying into the unknown, science fiction has since placed its emphasis more on the inherent risks of interstellar travel.…

The novelty’s vanished, but Now You See Me 2 doesn’t cheat

How many stage magic heist films do we need?

When Now You See Me was released back in 2013, the conceit at least seemed original: a quartet of Robin Hood magicians, known as the Four Horsemen, stage (literally) a series of audacious robberies targeted at the rich and unethical.…

Terminator Genisys feels like a superfluous do-over for a franchise whose glory days are long behind it

2015 has so far been the year of the long-awaited sequel, from the motorized mayhem of Mad Max: Fury Road to the dino disaster flick that was Jurassic World.

Compared to the time that’s passed since the character of Max Rockatansky, and Islas Nublar and Sorna, last appeared on our screens — 29 years and 14 years respectively — it seems like only yesterday that we failed to thrill to the dubious charm (or lack thereof) of Terminator: Salvation.…

Jurassic World is business as usual for the InGen Corporation

 

Is there any film whose special effects conjured up such a sense of awe and wonder as Jurassic Park (apart, perhaps, from Star Wars)?

Steven Spielberg’s 1993 installment — sandwiched between Hook and Schindler’s List — effectively gave mankind their first fully-rendered look at the fearfully great lizards (or “dinosaurs”) whose existence on Planet Earth preceded ours by some 65 million years.…

22 Jump Street is a chip off the new block

 

Is there any genre quite as enjoyably predictable as the buddy cop movie?

Two officers –one straitlaced, the other a maverick – forced to team up, only to form, despite, or perhaps because of their differences, an abiding friendship. It’s The Odd Couple with armaments.…