PODCAST: Oscars 2018 [Electric Shadows]

The Electric Shadows Podcast reaches its 40th episode.

What better way to mark this landmark episode than by discussing the biggest night in the movie calendar: the Academy Awards, better known as the Oscars. Best known as the awards where they announced the wrong movie last year for the biggest win of the night.…

Our BAFTA 2018 predictions

By Max Eshraghi

The BAFTA film awards have always been the Oscar’s slightly more unassuming younger sibling.

While it mightn’t be quite as renowned or lavish, we Brits can conclusively make claim to having one thing over on our transatlantic cousins: BAFTA, unlike the so-called Academy Awards, frequently gets it “right”.…

PODCAST: Three Billboards Outside Ebbing, Missouri, & Darkest Hour [Electric Shadows]

In Episode 37 of The Electric Shadows Podcast, Robs Daniel & Wallis look at one of the best films of the year and a contender for one of the worst.

Impressing them is Martin McDonagh’s Three Billboards Outside Ebbing, Missouri.…

REVIEW: Three Billboards Outside Ebbing, Missouri

4.5 Stars (4.5 / 5)
“How’s things in the coloured-people-torturing business?”

It’s been five years since Martin McDonagh’s second film, the deeply violent, profoundly meta—, occasionally strangely touching Seven Psychopaths, swept through cinemas. Since then his older brother, John Michael McDonagh, has overtaken him in the cinematic stakes with his second1 and third film.…

Hail, Caesar! loses itself on the Hollywood backlot

2.5 Stars (2.5 / 5)


Everyone loves a good movie about the movies.

Hollywood’s fetish for self-mythologizing1 lends itself to tales of stardom2 and scathing satire3 alike, but few films imbue Tinseltown with the same glow or seeming reverence as the Coen Brothers’ latest.