Kurtzel’s Macbeth lacks not only significance but sound and fury too

 

What do you think is the greatest Shakespeare adaptation ever committed to celluloid?

Perhaps you favor the expressionistic majesty and revelry of Welles’ Chimes at Midnight, or maybe the jazzy, black-and-white sophistication of Joss Whedon’s contemporary Much Ado.…

Creed has boxing and cinema in its blood

Few film series have taken the beating in their time that Rocky has.

After a triumphant first bout that launched Sylvester Stallone into the big-time, the series steadily descended into cheesy self-parody. After the judge’s decision of Rocky IV — great villain, hilarious overuse of musical montages — and the knockdown loss of Rocky V — which ended with the Italian Stallion beating some ginger lout in a street brawl — Rocky Balboa allowed the former champ (both the title character and Stallone himself) to make a semi-graceful exit.

Room is a minor masterpiece in microcosm with two miraculous performances

 

We take a lot for granted out in the world.

It’s full of space and objects, enough so that we can overlook just how much “thingness” there is to our everyday existence. Imagine a world then of only ten feet by ten feet, a world where every item has a sense of permanency to it: Bed, Wardrobe, Skylight.…

Justin Kurzel’s Macbeth lacks not just significance but sound and fury

What do you think is the greatest Shakespeare adaptation ever committed to celluloid?

Perhaps you favor the expressionistic majesty and revelry of Welles’ Chimes at Midnight, or maybe the jazzy, black-and-white sophistication of Joss Whedon’s contemporary Much Ado. For all the promise of its conception, Justin Kurzel’s Macbeth does not stand among their exalted ranks.

Rampling and Courtenay shine in 45 Years

 

What do you do when you discover your life is built on a lie — or, if not a life, a truth half-told?

That is the dilemma that Kate Mercer (Charlotte Rampling) finds herself in after 45 years of marriage to Geoff (Tom Courtenay); a childless couple comfortably set in their ways after more than half a lifetime together — closer to two-thirds in fact.…

The Hateful Eight: where does it stand in the QT lineup?

 

Say what you want about his handling of race1 or his cribbing from other filmmakers2, but one thing’s certain about Quentin Tarantino: love him or hate him3, he’s one hell of a showman.

That’s perhaps never been clearer than with the recent hubbub surrounding the screening of The Hateful Eight.…

Partisan is a film with allegory issues

 

A grey curve of mountain road. A forested valley overshadowed by dilapidated tower blocks. A dog howls, off.

Nonspecific in its exact time and place, though vaguely Baltic in its devastation, the inhospitable landscape into which Partisan immerses us makes a strong case for any sort of alternative, as offered by Vincent Cassel’s Gregori.…

The Big Short goes long on edudrama and it pays off – magnificently

You wouldn’t think the recent global financial crisis would be the stuff of comedy, but The Big Short makes it funny – and educational, and genuinely moving.

Directed and co-written by frequent Will Ferrell collaborator Adam McKay (Anchorman, Talladega Nights) and with an all-star cast, including Christian Bale, Steve Carrell, and Ryan Gosling, The Big Short makes for a highly entertaining (and instructive) study of greed, fraud, and three groups of people who sought to profit from the meltdown before it happened.…

More coming-of-age dramas should take a page from Diary of a Teenage Girl

 

Is there any story more immediately relatable than the coming-of-age?

After all, we’ve all grown up; all felt, to one extent or another, the confusion of feeling yourself changing, of becoming someone new. While Boyhood, for instance, documents the scope and detail of twelve whole years of maturation, Diary of a Teenage Girl focuses on the awakening of its protagonist’s sexuality over the course of a few key months.…