Love & Mercy is a not inconsiderable blessing from the music biopic genre

 

Has there been any sub-genre of drama more reliable in recent years than the music biopic?

They give the chance for charismatic character actors like Joaquin Phoenix and Marion Cotillard to take on larger-than-life personalities undergoing the trials and tribulations of fame and fortune.

The Theory of Everything forgets about the numbers so ends up playing by them

 

James Marsh’s new film, a biopic of legendary astrophysicist Stephen Hawking and his first wife Jane Wilde, is firstly a very traditionally British film; which is to say, a very reserved one.

In the face of tragedy – the gradual debilitation of a vibrant person – there’s nary a tear shed.…

Get lost in the grounded transcendentalism of Wild

 

A life-affirming tale of finding yourself amidst nature, based on a best-selling memoir, Wild follows Cheryl Strayed, an aspiring writer whose life falls apart upon the death of her mother.

Having sought refuge in sex and drugs, Cheryl decides to repair her life by walking the 1,200 miles of the Pacific Crest Trail, from the US-Mexican border, through California, Oregon, and Washington, all the way up to Canada.…

Get On Up proves there’s still some soul in the music biopic

 

For a brief time in the mid 2000s, the ’50s-60s musician biopic was the genre du jour.

The life stories of Johnny Cash and Ray Charles both hit the big screen in little over twelve months; the abstracted travails of Bob Dylan reached us two years later in the form of I’m Not There.

Dallas Buyers Club is a life-affirming tonic of a film

 

If ever there was a film that just may have conceived to mint Oscars, Dallas Buyers Club might be it.

It concerns the exploits of a homophobic cowboy, Ron Woodroof, who contracts AIDS and pairs up with trans woman, Rayon, to begins selling unapproved drugs to the Dallas gay community.…

Mandela: A Long Walk to Freedom is a noble enough cinematic endeavor

 

Released in the immediate aftermath of its subject’s death, Mandela: Long Walk to Freedom has the unenviable task of standing as cinematic testament to perhaps the most vital political figure in African history.

Close enough is the time you could be forgiven for thinking that the film’s publicists may have bumped off the ninety-five year-old Mandiba for the sake of a publicity coup.

The Butler is content to carry water

 

2013 has been a year for many things.

Hostage crises in Algeria and North Korean nuclear tests, 3D printers and a meteor explosion over Russia. Meanwhile, the NSA’s been spying on everyone and Justin Bieber has been taking up the headlines in “Teenage-Boy-With-Unlimited-Power-Behaves-Like-Dickhead Shock”.

Saving Mr. Banks is self-serving nostalgia from the House of Mouse… It’s also great, hugely feelgood fun

 

Try to think of an occasion on which you’ve seen the celebrated Mr. Walt Disney portrayed in film.

Simply put, you can’t: the Disney corporation has fiercely guarded the image of their founder, almost as fiercely as their iconic mascot.…

Jobs is a bit of a jobbie

 

Less than two years after the Father of the Digital Revolution passed away, we have a shiny new biopic commemorating his life and achievements.

Less of the breakthrough that was the first Macintosh computer, more in-keeping with the most recent iPhone models – the fact of which perhaps suggest Steve Job’s importance to the company – Jobs is a bit… meh.…