REVIEW: Joker: Folie à Deux

2019’s Joker was a comic book movie for people who don’t like comic books. Its newly-released sequel, Joker: Folie à Deux, is both that and a musical for people who don’t particularly like musicals.

I told myself I wasn’t going to be sarcastic, but it’s tough when the director of the film you’re reviewing doesn’t seem to have much of a feel for the genre in which he’s working.…

REVIEW: London Film Festival 2022 Roundup

White Noise

With White Noise, Noah Baumbach has managed to make a compelling and remarkably coherent dramedy from Don DeLillo’s postmodern epic of optimism and catastrophe.

Jack Gladney (Adam Driver; winningly ungainly with long limbs and beer belly) is a renowned professor of “Hitler studies”, who works at a fictional American college sometime in the 1980s.…

PODCAST: LFF 2021 – The Tragedy of Macbeth [Movie Robcast]

This is our final London Film Festival wrap-up episode, and thank you to all those listeners who stuck with us on a review of this year’s LFF.

To end, we look at Joel Coen’s The Tragedy of Macbeth, starring Denzel Washington and Frances McDormand.…

REVIEW: The Tragedy of Macbeth (London Film Festival 2021)

In his first single-handed filmmaking venture, Joel Coen (best known as one half of the Coen Bros.) takes on Shakespeare in The Tragedy of Macbeth.

Shot entirely on set, with sharp, black-&-white cinematography courtesy of Bruce Delbonnel, the film’s striking, otherworldly visuals, inky shadows and slanting light, owe a debt to German Expressionism.…

PODCAST: Top 10 Films of 2010s [Movie RobCast]

We started back in 2016 as The Electric Shadows Podcast. We enter the ’20s as The Movie RobCast, with a gorgeous new image, courtesy of designer Bridge Fazio.

And episode 77 is a biggy, in which Robs Daniel and Wallis run through their respective Top 10s of the 2010s.

REVIEW: Paddington 2

 

That adventurous, well-mannered British bear has returned to the big screen… and not a moment too soon!

The first Paddington was, for me, an unexpected delight, delivering one of the biggest laughs of any film in 2014. This sequel is, if possible, even more charming, and all the more comforting in these turbulent times.…

CINEMATIC GRAB-BAG: The Great Wall & Trespass Against Us

The Great Wall

To misquote the film’s tagline, “Three years, $150 million to make, what were they hoping to prove?”.

Zhang Yimou’s The Great Wall is at best a misguided curiosity – people kept trooping in and out of my screening like it was a visitor’s ward.…

Suffragette is a worthy but overly respectable

 

As with The Imitation Game, which kicked off last year’s London Film Festival, Suffragette — another period drama — is a quintessential work of British cinema. It too tells an important story.

Instead of the huts of Bletchley Park, we find ourselves at an East End laundry circa 1913, the workplace of Maud Watts (Carey Mulligan) and dozens of other industrious women.…

Edge of Tomorrow makes respawning fun

 

If at first you don’t succeed, get covered in boiling alien blood and try, try again.

What the forgettably titled Edge of Tomorrow most reminds us, however, is that Tom Cruise is at his best when not playing an outright hero.…

Calvary is a profane, heartbreaking spiritual journey

 

There are plenty of filmmaking sibling duos out there – the Coen Brothers, the Dardenne brothers, the Wachowskis – but it’s rare for them to work completely independently of each other.

In 2008, playwright Martin McDonagh made his break into film with In Bruges, a dark comedy about two hitmen hiding out in the Medieval Flemish city; three years later, his brother John Michael McDonagh made his film debut in the form of The Guard, about a hedonistic but thoughtful Connemara constable.…