LFF Day 2: A Monster Calls & The Handmaiden

Fantastical trauma counseling and opulent Gothic fetishism on London Film Festival Day 2.

 

The Orphanage‘s J.A. Bayona began his career as an acolyte of Guillermo Del Toro and in A Monster Calls he finds his own Pan’s Labyrinth but one where the monsters make house calls.

Is this the (Brothers) Quay to Nolan’s whole oeuvre?

 

As arguably the foremost director of high-brow cinematic entertainment on the planet, it seems reasonable that Christopher Nolan might want to take a breather between blockbusters.

After the $165 million universe-spanning epic that was Interstellar you can’t get much more palette cleanser-y than an eight-minute behind-the-scenes of the magical junk shop-workshop of a pair of stop-motion animators.…