Kurtzel’s Macbeth lacks not only significance but sound and fury too

 

What do you think is the greatest Shakespeare adaptation ever committed to celluloid?

Perhaps you favor the expressionistic majesty and revelry of Welles’ Chimes at Midnight, or maybe the jazzy, black-and-white sophistication of Joss Whedon’s contemporary Much Ado.…

Justin Kurzel’s Macbeth lacks not just significance but sound and fury

What do you think is the greatest Shakespeare adaptation ever committed to celluloid?

Perhaps you favor the expressionistic majesty and revelry of Welles’ Chimes at Midnight, or maybe the jazzy, black-and-white sophistication of Joss Whedon’s contemporary Much Ado. For all the promise of its conception, Justin Kurzel’s Macbeth does not stand among their exalted ranks.

Joss Whedon’s Much Ado About Nothing is Shakespeare everyone can get excited about

 

Say what you want about old Bill Shakespeare, but he was certainly brave with his titles.

No contemporary writer would give their play a title that so openly embraced it being a farce, a comedic situation in which a great deal is made of very little.…