PODCAST: Promising Young Woman & Godzilla vs. Kong [Movie Robcast]

Episode 113 of The Movie Robcast sees the Robs in the same physical space for the first time since December!

In the shadow of the glorious BFI IMAX at Waterloo they run through multiple movie related topics.

First up is Emerald Fennell’s Oscar-nominated and BAFTA-winning Promising Young Woman, featuring a first-rate performance from Carey Mulligan, also nominated for Hollywood’s most coveted award.…

REVIEW: Promising Young Woman

A revenge thriller from a former show runner on Killing Eve, Promising Young Woman is every bit as stylish and unique as that pedigree suggests.

It’s a bitter trope that young, male abusers are spared the full brunt of the just system due to their status as a “promising young man”.…

Dead Man Down is promising but falls back on genre trappings

Genre can be a double-edged sword for even the most talented and versatile filmmaker: hew too close to convention and you risk falling into cliche, stray too far and you risk alienating your core audience.

I think it’s revealing that two of my favorite genre films of recent years – Shane Black’s vaguely satirical crime thriller Kiss Kiss Bang Bang and Drew Goddard’s postmodern slasher horror The Cabin in the Woods – both deconstruct their respective genres.…

REVIEW: Saltburn [London Film Festival 2023]

Having thoroughly skewered the male-female power dynamic in Promising Young Woman, in Saltburn Emerald Fennell turns her withering eye on another social structure: the British class system.

Newly arrived at Oxford University, scholarship student Oliver Quick (Barry Keoghan), bright, studious, and dressed like Harry Potter newly arrived at Hogwarts – all house scarf and specs – struggles to fit in amid the bright young things.…

FEATURE: My 2020 in Cinema

PSA: Unlike with this year’s roundup on the Movie Robcast, I’ve decided not to include any films that were eligible for the previous Oscars; even if they were only released in the UK in 2020.

That means no Parasite for Best Picture, or Céline Sciamma for Best Director (Portrait of a Lady on Fire), no Scarlett Johansson for Best Supporting Actress (Jojo Rabbit), or Roger Deakins for Best Cinematography (1917).

REVIEW: The Front Runner (LFF 2018 – Day 4)

Ivan Reitman’s latest, The Front Runner, is an unexpectedly topical account about what we have the right to expect from our politicians – and perhaps what we don’t.

It’s 1988, and Colorado Senator Gary Hart (Hugh Jackman) seems like the ideal candidate for the Democratic nomination.…

London Film Festival 2017 – A Rundown (Part 2)

So, here goes it: Part 2 of my three-part rundown of my 2017 London Film Festival experience. Part 1 is available here.

 

Call Me By Your Name

A story of sex, sculpture, and self-discovery, Call Me By Your Name is the latest in a recent trend of achingly sensitive LGBT romantic dramas that seem to hold such an allure for me.…