Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
So, here goes it: Part 2 of my three-part rundown of my 2017 London Film Festival experience. Part 1 is available here.
Call Me By Your Name
(4 / 5)
A story of sex, sculpture, and self-discovery, Call Me By Your Name is the latest in a recent trend of achingly sensitive LGBT romantic dramas that seem to hold such an allure for me.…
(4 / 5)
Daphne (Emily Beecham) is a stylishly insouciant redhead in her early thirties, living and working in contemporary London.…
(4 / 5)
In the case of Free Fire, the latest from British auteur Ben Wheatley, the concept is this: the third-act shootout, with which any self-respecting crime thriller must surely culminate, instead kicks off less than twenty minutes in and occupies the rest of its ninety-minute run-time.…
The Birth of a Nation
(4 / 5)
Reclaiming the title of D.W. Griffith’s feverishly racist silent epic, this ardent biography of conciliatory preacher turned revolutionary firebrand Nat Turner — written, directed by, and starring Nate Parker — makes a case for bloody retribution as the necessary, even inevitable, response to institutionalized evil.…
(3 / 5)
Following a red-tinted title sequence that provides a potted history of recent U.S-Russia relations, we find ourselves in 1963.…
