Episode 122 of The Movie Robcast casts an eye over James Gunn’s The Suicide Squad and the Dwayne Johnson and Emily Blunt starring Jungle Cruise.
Rob D’s eye is a little grumpier than the kind-hearted Rob W, so you’ll have to listen and see which team you’re on.…
PSA: Unlike with this year’s roundup on the Movie Robcast, I’ve decided not to include any films that were eligible for the previous Oscars; even if they were only released in the UK in 2020.
That means no Parasite for Best Picture, or Céline Sciamma for Best Director (Portrait of a Lady on Fire), no Scarlett Johansson for Best Supporting Actress (Jojo Rabbit), or Roger Deakins for Best Cinematography (1917).…
A bedroom embrace is wrenched away and instantly replaced with the rear compartment of a getaway van, one door wrenched off its hinge and sparking on the asphalt, as a lover’s playful snarl becomes the shriek of a bullet, ricocheting around the exposed interior.…
Denzel Washington is not a man who chooses his projects lightly.
Even a consistent run of by-the-numbers actioners – 2 Guns, The Equalizer, The Magnificent Seven – have, in recent years, served as vehicles for his charm and gravitas; only helping to ensure his elder statesman status.…
Let me get the obvious comparison out of the way (at least for the first time): Suicide Squad, the latest addition to the DC Cinematic Universe, is a mess; choppy and lurid counterpart where Batman V Superman: Dawn Of Justice — God help us — was muggy and self-serious.
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If you’re a fan of Heat, you’d be forgiven for thinking that a Michael Mann techno thriller sounds like just the ticket.
Mann’s first foray into film since 2009’s Public Enemies, Blackhat promised the glossy neon visuals of Miami Vice, the race-against-the-clock forensics of Manhunter – in short, a combination of all the traits (with the exception, perhaps, of Last of the Mohicans) that had made his earlier work so stimulating.…