REVIEW: One Night in Miami [LFF 2020]

Miami. February 25th, 1964.

22-year-old Cassius Clay defeats Sonny Liston in the Boxing World Heavyweight Championship and is crowned champion. That night, he retires to the Hampton House to celebrate with a few friends – NFL player Jim Brown, soul singer Sam Cooke, and civil-rights activist Malcolm X.…

REVIEW: Wildfire [LFF 2020]

Wildfire is a film that warns about the impact of unresolved violence.

After years of living hand-to-mouth, under-the-radar, Kelly (the late Nika McGuigan) is going home. Home for Kelly means a small town on the Irish border. The Troubles may have ended, but the wounds have never fully healed – at all, it seems, for Kelly.…

REVIEW: Shirley [LFF 2020]


After 2018’s disassociative coming-of-age story Madeline’s Madeline, Josephine Decker returns with another twist on a conventional narrative – the biopic as psychological thriller.

We first see our subject in soft focus, extreme close-up: bare skin, tangled hair, the hint of a face.…

REVIEW: Mangrove [LFF 2020]

In what has become something of an LFF tradition, Steve McQueen’s latest gets the festival off to a strong, socially-aware start.

It’s 1968 and things are changing in west London. Kids play beneath a towering overpass under construction and in Notting Hill a new restaurant, the Mangrove, provides a hub for the West Indian community.…

PODCAST: London Film Festival 2020 Preview [Movie RobCast]

In episode 101, Robs Wallis & Daniel take a look at the films getting them fired up for the 64th London Film Festival.

Predictably. this year the festival is split between showing films on the BFI Player and certain films screening in cinemas across the country.…

REVIEW: Say Your Prayers

British indie comedy Say Your Prayers locates itself comfortably in the tradition of inept Brits making a mess of rural idylls – in this case, violently.

The idyll here is the rugged landscape of West Yorkshire. The blokes in question are Tim (Harry Melling), permanently ensconced in a Tibetan earflap, and Vic (Tom Brooke), hatchet-faced and angry.…

REVIEW: The Devil All The Time & Enola Holmes [Netflix]

The Devil All The Time and Enola Holmes are perfect examples of high-quality, immediately disposable Netflix Originals.

Both have promising “indie” directors (Antonio Campos’ last feature was 2016’s Rebecca; Harry Bradbeer broke out directing Fleabag), at least a couple of stars (Devil’s ensemble includes the current Spider-Man and future Batman; Enola Holmes lead is Stranger Things’ Eleven with Superman himself in support as older brother Sherlock), and maybe some literary pedigree (both are based on best-selling novels.)…

REVIEW: i’m thinking of ending things

For a filmmaker whose first script, Being John Malkovich, plunged us, literally, into the head of a revered character actor and whose most recent, Anomalisa, was a stop-motion meditation on individuality, a couple’s car journey to visit the boyfriend’s parents might seem a bit… prosaic?…