REVIEW: Black Bear

A woman in a red swimsuit sits at the end of a wooden dock, shrouded in mist. She (Aubrey Plaza) is still, but clearly shaken; devastated even. There is a sense that she is barely holding it together. It’s an image that Black Bear returns to repeatedly, that of some mysterious trauma; even as it delves into notions of art and artifice.…

REVIEW: It Comes At Night goes nowhere in particular

Why lay the table for a feast if you’re not going to serve a meal that can complete with the place setting?

It’s this shortcoming that ultimately prevents It Comes At Night from becoming more than just another addition to the, in recent years, surprisingly well-worn genre of post-apocalyptic drama-horror.…