Boyhood is a perfect encapsulation of what it means to be a kid

 

You hear a lot of talk about ambition in film: ambitious scale, ambitious complexity, ambitious effects.

It’s rare though that a story is ambitious simply in its conception, in its commitment to telling a story. Richard Linklater’s Boyhood is such a film, a film that could be said to define his whole body of work.…

How To Train Your Dragon 2 soars high but carries little weight

 

When it comes to computer-animated family fun, the only real contender is Pixar.

Their main rival, Dreamworks, has been mostly reliant on a number of franchises: Shrek, Madagascar, Kung Fu Panda. So far, though, they’re yet to produce anything to rival the artistry of Toy Story.…

Jersey Boys hits the jukebox but misses the stage

Jukebox musicals are a dime a dozen, much like the machine from which they get their name.

Usually focusing on a single band or era of music, they used tried-and-tested narratives as a framework for the hits. Whether it’s Jim Broadbent smarming his way through “Like A Virgin” in Moulin Rouge or Meryl Streep’s recriminatory “Winner Takes it All” in Mama Mia!

22 Jump Street is a chip off the new block

 

Is there any genre quite as enjoyably predictable as the buddy cop movie?

Two officers –one straitlaced, the other a maverick – forced to team up, only to form, despite, or perhaps because of their differences, an abiding friendship. It’s The Odd Couple with armaments.…

Edge of Tomorrow makes respawning fun

 

If at first you don’t succeed, get covered in boiling alien blood and try, try again.

What the forgettably titled Edge of Tomorrow most reminds us, however, is that Tom Cruise is at his best when not playing an outright hero.…

Locke shows that all you need for a great film is an engine

 

The shadowy interior of a BMW, the sallow yellow glare of a streetlamp; road markings, overpasses. “You have a call waiting”.

As premises go, Locke’s is rivetingly simple: Ivan Locke, a foreman on a construction site, has had to make a last-minute trip from Birmingham down to London.…

X-Men: Days Of Future Past is like a dog chasing its tail – fun but circuitous

 

It’s been fourteen years since the X-Men franchise first graced our cinema screens.

That’s roughly the length of time it took Star Trek to go from The Motion Picture to Generations, the film when we finally bade farewell to William Shatner’s Captain James T.…

Godzilla (2014) is like a storm on the horizon

 

How many films is it possible to make about a giant rampaging lizard?

An idea may be all in the execution – after all, how many films can you make about a Walther-packing, martini-swilling super-spy? – but the need to have buildings crumble and people scream surely serves as something of a limiting factor.…

Two Faces of January is a multi-faceted Highsmith thriller

 

As film directors go, it’s hard to escape the shadow of Alfred Hitchcock.

The iconically portly Brit directed more than 50 films during his lifetime with an impressive batting average in terms of outright classics: Psycho, Vertigo, North by Northwest.…