PODCAST: Oscar Winners 2019 [Electric Shadows]

The Oscars may have occurred a week ago, but some review shows are worth the wait.

In episode 57 of The Electric Shadows Podcast, Robs Daniel and Wallis deliver their verdict on Bohemian Rhapsody winning most Oscars at this year’s ceremony and Green Book picking up the Best Picture statuette.…

PODCAST: Oscar Nominations 2019 [Electric Shadows]

Rob Daniel & Rob Wallis touch the sore tooth that is Oscar nominations 2019.

They discuss the insanity, or at least inanity, of nominating Bohemian Rhapsody for Best Picture, and how safe the Best Picture nods are in general. They’re happy Spike Lee finally has his Best Director nomination, and acknowledge a few other things the Academy got right.…

REVIEW: Murder on the Orient Express (2017)

Kenneth Branagh’s Murder on the Orient Express is undoubtedly a grand production, but lacks the elegant simplicity to be a truly first-class entertainment.

Unlike Sydney Lumet’s 1974 adaptation, this is less a starry, lavishly-upholstered murder mystery than a modern-day blockbuster that just seems to be based on an Agatha Christie novel.…

The Lobster is a blackly heartfelt chimera of a romcom

 

You wait for one comedy about men being transformed into animals then two come along at once — a non-mating pair, if you will.

But where Kevin Smith’s Tusk was about a vicious comic forcibly losing his humanity due to a mad experiment, Yorgos Lanthimos’ The Lobster is altogether more social and universal.…

Locke shows that all you need for a great film is an engine

 

The shadowy interior of a BMW, the sallow yellow glare of a streetlamp; road markings, overpasses. “You have a call waiting”.

As premises go, Locke’s is rivetingly simple: Ivan Locke, a foreman on a construction site, has had to make a last-minute trip from Birmingham down to London.…

Hyde Park on Hudson is torn between comedy of manners and Freudian melodrama

 

The last three years have done some interesting things with the legacy of King George VI.

Colin Firth’s sensitive portrayal of the speech-impaired monarch who led Britain through the Second World War rightfully won the Oscar (though the film that showcased it, The King’s Speech, was something of a “worthy” choice for the Best Picture of 2010).…