The Butler is content to carry water

 

2013 has been a year for many things.

Hostage crises in Algeria and North Korean nuclear tests, 3D printers and a meteor explosion over Russia. Meanwhile, the NSA’s been spying on everyone and Justin Bieber has been taking up the headlines in “Teenage-Boy-With-Unlimited-Power-Behaves-Like-Dickhead Shock”.

Spike Lee’s Oldboy is a criminally bland remake

 

There are many films that have no reason to exist besides turning an ill-conceived buck.

Transformers 4, for instance – now with 100% more Mark Wahlberg – or the upcoming Terminator reboot – as if the series’ timeline wasn’t convoluted enough already.…

The Counselor is a film in desperate need of help

 

The Counselor is an unusual beast.

In its opening moments, cheetahs stalk wild hares on the Savannah, not of Africa but Mexico; a flamboyant, eccentrically rich couple picnic nearby in the company of some luxury motors.

Sometime soon Michael Fassbender’s nameless eponym will be buying a diamond from Bruno Ganz’s merchant, who pontificates on the beauty of the stone lying in its flaws.…

Saving Mr. Banks is self-serving nostalgia from the House of Mouse… It’s also great, hugely feelgood fun

 

Try to think of an occasion on which you’ve seen the celebrated Mr. Walt Disney portrayed in film.

Simply put, you can’t: the Disney corporation has fiercely guarded the image of their founder, almost as fiercely as their iconic mascot.…

Thor: The Dark World makes for a fun, forgettable outing in the MCU

 

Marvel Studios is the cinematic juggernaut of our time, perhaps all time.

Spanning eight films over five years, it has so far grossed in excess of $5 billion. Bi-annual releases were common in Phase 1 of the Marvel Cinematic Universe – films ranging from 2008’s Iron Man to The Avengers last year – and, as of 2013, seems likely to become standard practice.…

Schwarzenegger & Stallone are expendable in lightweight prison actioner Escape Plan

 

Prison Break meets The Expendables.

Sylvester Stallone and Arnold Schwarzenegger work together as a mumbling, droopy-eyed escape artist-cum-protagonist and a hulking, silver-haired Austrian crook – not much of a change apart from the professions.

The high-tech panopticon in which they find themselves imprisoned is an impressive technical feat; though the eponymous escape plan is a fairly nuts-and-bolts affair.

12 Years a Slave is a stunning and necessary reminder of the insidious evils of slavery

 

12 Years a Slave is the tale of Solomon Northup (Chiwetel Ejifor), a free black man and professional violinist in the mid 19th Century northeastern United States who, in 1841, was kidnapped and sold into slavery.

The third film of Steve McQueen, 12 Years a Slave feels, from the off, like a more mature approach to “the problem” of slavery than either of its two most immediate predecessors.…

Inside Llewyn Davis: an arsehole’s eclectic journey through the Greenwich Village scene

The Coen Brothers might have delved into spiritual music before in O Brother, Where Art Thou, their myth-inspired take on the Depression-era American Deep South, but Inside Llewyn Davis is a far more focused piece of cinema, if never quite as colorful as its predecessor.

For all its ideas, Zero Theorem is simply an entertaining zero-sum game

 

Terry Gilliam’s first film since the ill-fated, but enjoyable Imaginarium of Doctor Parnassus, Zero Theorem showcases the former Python animator’s uniquely discordant worldview, as well as confirming Christoph Waltz as a supreme resource for any talented director.

The bald-headed, hunched-over, strangely grotesque Qohen is light years away from the smooth Hans Landa or charming Schultz.…

Does Ayoade replicate the success of Submarine with The Double?

 

The Double, the second film of Richard Ayoade – whose first, Submarine, accrued a BAFTA nom for Outstanding Debut – might not receive enough mainstream exposure to completely revamp his image as “Moss from The IT Crowd“, but as far as offbeat, art-house adaptations of Dostoyevsky novellas go, it’s a cracker.