Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
Wes Anderson’s latest is a retro-futurist ’50s postcard that touches intriguingly, if perhaps too lightly, on the theme of making sense of meaninglessness.
Framed as an episode of a black-and-white anthology drama series, complete with Serling stand-in (Bryan Cranston), Asteroid City is at once about the making of a fictional play and a televised colour production of that play.…
In his first film since 2015’s Mad Max: Fury Road, George Miller reminds us why he truly deserves the accolade of “visionary”.
By any standard, Three Thousand Years of Longing is an audacious change of pace from the filmmaker who filmography is largely defined by scorched wastelands populated by monstrous motorheads.…
That might be surprising given the cynical, politically-driven worldview Iannucci is known for versus Dickens’ warm, colourful humanism, but the social issues of the Victorian era are very much in evidence today.…
Fittingly, talking from half-past midnight onwards, the pair are uncharacteristically disciplined as they cover a variety of topics.
Hollywood’s fetish for self-mythologizing1 lends itself to tales of stardom2 and scathing satire3 alike, but few films imbue Tinseltown with the same glow or seeming reverence as the Coen Brothers’ latest.
Hail, Caesar!
More so than any other filmmaker at work today, he has a personal style to which he is beholden.…
The bald-headed, hunched-over, strangely grotesque Qohen is light years away from the smooth Hans Landa or charming Schultz.…
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