REVIEW: The Old Way

They just don’t make ’em like they used to, though they try.

The Old Way is a by-the-books Western, distinguished only by being Nicolas Cage’s “first” out-and-out foray into the genre.

When we first encounter outlaw Colton Briggs (Cage, complete with droopy mustache), he’s watching a public hanging preceded over by his employer, a self-righteous local bigwig.…

REVIEW: A Man Called Otto

Tom Hanks’ is a curmudgeon with a heart of gold in this English-language adaptation of Fredrik Backman’s Swedish bestseller A Man Called Ove.

Rechristened Otto for an American audience, we first encounter Hanks’ titular grouch at the hardware store. He wants a length of rope for a home DIY project and he’s brought his own knife to cut it to order; behaviour that the store staff understandably struggles with.…

REVIEW: Black Adam

This latest offering from DC Films has many of of the right elements, but struggles to ground itself in humanity.

Re-envisioning its title character as an antihero, Black Adam is a star vehicle for Dwayne “The Rock” Johnson, for whom it was reportedly a passion project.…

REVIEW: London Film Festival 2022 Roundup

White Noise

With White Noise, Noah Baumbach has managed to make a compelling and remarkably coherent dramedy from Don DeLillo’s postmodern epic of optimism and catastrophe.

Jack Gladney (Adam Driver; winningly ungainly with long limbs and beer belly) is a renowned professor of “Hitler studies”, who works at a fictional American college sometime in the 1980s.…

REVIEW: Three Thousand Years of Longing

In his first film since 2015’s Mad Max: Fury Road, George Miller reminds us why he truly deserves the accolade of “visionary”.

By any standard, Three Thousand Years of Longing is an audacious change of pace from the filmmaker who filmography is largely defined by scorched wastelands populated by monstrous motorheads.…

PODCAST: Sugarland Express [Let’s Jaws For a Minute]

In this episode, Sarah and MJ are joined by Rob Wallis to talk about Spielberg’s major studio debut, The Sugarland Express.

They discuss its similarities and differences with Duel, the “aw, shucks” style performances, how the film was received by critics such as Ebert, Siskel, and Pauline Kael, and how the film was influenced by Westerns, Italian Neorealism, and the French New Wave.…

REVIEW: Samaritan [Prime Video]

In Samaritan, a scrappy kid (Javon Walton) discovers that a refuse collector who lives across the street (Sylvester Stallone) may in fact be his idol, long-presumed-dead superhero Samaritan.

As with any popular genre before it, the superhero movie is now starting to reckon with its long-lived popularity.…

REVIEW: Prey

by Sarah Johnson (Twitter:@strappinglass)

1719, the Northern Great Plains of the Comanche Nation. Much to the annoyance of the men in her tribe, young Naru (Midthunder) wants to be recognised as the capable hunter-warrior she is. She will need all her skills when a lethal alien comes to Earth to stalk the local wildlife.…