REVIEW: A Haunting in Venice

Given how littered it is by corpses, it’s remarkable the extent to which ghosts are absent from the murder mystery genre.

Aside from the plot ramifications – it’s tricky sustaining the whole “whodunnit” aspect when you have an incorporeal witness – it does tend to undermine the foundation of rationality on which the process of detection is built.…

REVIEW: Murder on the Orient Express (2017)

Kenneth Branagh’s Murder on the Orient Express is undoubtedly a grand production, but lacks the elegant simplicity to be a truly first-class entertainment.

Unlike Sydney Lumet’s 1974 adaptation, this is less a starry, lavishly-upholstered murder mystery than a modern-day blockbuster that just seems to be based on an Agatha Christie novel.…

Little Grey Celluloid: Some Thoughts on Poirot in Film (and TV)

So, Brexit…

When Agatha Christie conceived of perhaps her most iconic creation, her choice of nationality for him carried with it a certain European esprit de corps. It was 1916, though the first novel wasn’t published until 1920, and Belgium was then occupied by the forces of imperial Germany.…