This latest offering from DC Films has many of of the right elements, but struggles to ground itself in humanity.
Re-envisioning its title character as an antihero,1 Black Adam is a star vehicle for Dwayne “The Rock” Johnson, for whom it was reportedly a passion project. It’s certainly darker than his usual fare, though I’d argue the film suffers from a lack of opportunity to let its leading man flex his mighty comedic chops.
Set in the fictional North African nation of Kahndaq, which is under the oppressive rule of a generic mercenaries called Intergang. The fact they mostly seem to have English accents is a clue to Black Adams anti-imperialism commentary, which it shares with another similarly-titled Marvel superhero franchise.2 Resistance leader Adrianna Tomaz (an underutilised Sarah Shahi, who I adored in Person of Interest)3 awakens the long-dormant saviour of Kandhaq, Teth-Adam (Johnson), who immediately and brutally wipes out any aggressors. DC has a reputation for being more “adult” than Marvel, but, even so, it’s unexpected seeing your supposed “hero” fry an unwitting henchman to a skeleton.
There’s an ancient, infernal MacGuffin called the Crown of Sabbac, which currently threatens the future of the world and with which Adam has a history, and director Jaume Collet-Serra makes the most of Adams’ combative nature and immense power for panoramic set pieces of destruction; occasionally set to very on-the-nose song choices.4 There’s a precocious, not-too-annoying, skateboarding kid, Amon (Bodhi Sabongui), who may just convince the recalcitrant Adam to be a hero, and, also in opposition, the so-called Justice Society; sort of Justice League meets the X-Men 5: Hawkman (Aldis Hodge), gold-winged and mace-wielding; Doctor Fate (Pierce Brosnan), a premonitionary, gold-helmed magician; and new team members, size-changing Atom Smasher (Noah Centineo) and weather-wielding Cyclone (Quintessa Swindell).
The parallels with Marvel are obvious – Hawkman = Falcon, Doctor Fate = Doctor Strange, Atom Smasher = Ant-Man6, Cyclone = Storm.7 But, in a symptom of DC’s chronic Synder Syndrome, there’s an over-reliance on slow-mo, on gods and monsters, on a malevolent antagonist who is almost literally the devil. For my money, the character who comes closest to achieving an equanimity of tone is Brosnan’s wry, self-deprecating mystic – even if the film itself doesn’t quite appreciate the distinction between sarcasm and irony.
Black Adams’ darker-is-better approach to superherodom essentially lands on “murder is okay” if it’s the Arab Spring, and I, as a Brit8 am not in much of a position to argue with that. Even so, I might wish for a bit of subtlety in DC’s handling of grand themes.
Black Adam is now showing exclusively in cinemas
- His comic-book origin story is actually more akin to that of the villain Imhotep from The Mummy.
- Whose second instalment is due out next month. More on this to come…
- Here’s hoping Black Adam 2 introduces her superhero persona, Isis. Failing that, her clambering around in ruins has me clamouring to see her as the next Lara Croft. Casting a Persian actress in the role would definitely provide a new angle on a globe-trotting English aristocratic raiding tombs.
- Shades of Suicide Squad in this regard.
- Complete with super-jet and junior team members
- With Deadpool-style mask, complete with expressive white eyes.
- Whose control of the weather comes in rainbow hues, with a bit of Tony Stark or Shuri thrown in for good measure.
- I say as a, perhaps arbitrary, distinction to being “English”.