REVIEW: Glass

After nearly two decades, M. Night Shyamalan has finally made a return to the superhero movie – and with an ambitious crossover event no less.

His first foray into the genre, Unbreakable, long before the birth of the comic-book franchise, was a subtle deconstruction that made a character study of comic-book archetypes.…

Sin City: A Dame to Kill For shows a franchise that should have stayed buried

 

Hollywood is usually pretty quick off the bat on commissioning sequels – often a picture’s barely made it into cinemas before a follow-up’s been green-lit – but every now and then they leave us twiddling our thumbs.

It’s been nine years since Robert Rodriguez and Frank Miller’s hyper-visual, hyper-violent Sin City made its way onto our screens, long enough that even the most ardent fan had given up hope of a second installment.…

RED 2 is a perfectly good geri-actioner

 

Do you remember my review of A Good Day to Die Hard, all the way back in the mists of time?

There’s no reason for you to, but in it I aired my complaints with what has become of the series that gave Bruce Willis a career beyond Moonlighting.…

GI Joe: Retaliation is a “Strikes Back” no one asked for

 

Cinematic adaptations of beloved 1980s toy lines are not generally renowned for their artistic qualities.

Michael Bay’s Transformers franchise may have grossed more money than the GDP of most South American nations, but its eye-popping action was more migraine-inducing than Avatar-immersive.…

A Good Day to Die Hard could mark the death of a once great franchise

 

Bruce Willis is arguably the only star of the ’80s not to have slipped into self-parody or senescence (his recent appearance in The Expendables 2 notwithstanding).

Unlike his contemporaries Schwarzenegger and Stallone, Willis is not above taking supporting roles in smaller offbeat films like Wes Anderson’s Moonrise Kingdom and Rian Johnson’s Looper.…