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Between House of Gucci and Christopher Pratt’s casting as Mario, it’s been a difficult time for Italians in cinema.
Ridley Scott’s second film this year after historical epic The Last Duel, House of Gucci is more in the vein of his 2017 effort All the Money in the World – a stylish crime drama based on a real-life event, though trading that film’s shadowy restraint for a smorgasbord of scenery chewing character work.…
In The Last Duel, Ridley Scott returns to his cinematic first love.
The idea of two rivals in a duel to the death is an innately romantic one, but where Scott’s directorial debut was devoted to it, in his latest it’s both beginning and ending.…
Gravity swept the Academy Awards back in 2013, Interstellar reminded us of the potential wonders of the universe in a way that no one had arguably done since Kubrick – Marvel even got in on the action with Guardians of the Galaxy.…
