Morgan is a generic sci-fi thriller straight off the assembly line

A man stands in front of a glass cell, ready to question its occupant; a woman who is not truly a woman. If she fails the test, she will likely be terminated.

Where that scenario provided the focal point of last year’s Ex Machina – a restrained study of trans-humanism and toxic masculinity – in Morgan it is part of a much more generic effort.…

The Martian: by far the best film to maroon Matt Damon in space

 

Are the 2010s the decade that made space travel cool again?

Gravity swept the Academy Awards back in 2013, Interstellar reminded us of the potential wonders of the universe in a way that no one had arguably done since Kubrick – Marvel even got in on the action with Guardians of the Galaxy.…

Usually a one-star rating feels punitive, but in the case of Fantastic 4 its cautionary, even a little sad.

 

If Bryan Singer’s X-Men uses being a mutant as a metaphor for being gay then Josh Trank’s gritty Fantastic Four reboot would seem analogous to being a moody teen.

Its central quarter is certainly a moody bunch: dweeby genius Reed Richards (Miles Teller), whose parents don’t understand him; Ben Grimm (Jamie Bell), a would-be hard-case from a bad home; Johnny Storm (Michael B.…

Transcendence gets stuck in the existential mud

As grand themes go, self-awareness is certainly one of the grandest. Descartes’ famous proposition “I think therefore I am” is arguably the foundation of all Western philosophy.

After all, without self, without thought, there can be no perception therefore no knowledge.…