REVIEW: The Devil All The Time & Enola Holmes [Netflix]

The Devil All The Time and Enola Holmes are perfect examples of high-quality, immediately disposable Netflix Originals.

Both have promising “indie” directors (Antonio Campos’ last feature was 2016’s Rebecca; Harry Bradbeer broke out directing Fleabag), at least a couple of stars (Devil’s ensemble includes the current Spider-Man and future Batman; Enola Holmes lead is Stranger Things’ Eleven with Superman himself in support as older brother Sherlock), and maybe some literary pedigree (both are based on best-selling novels.)…

Crimson Peak: the height of Gothic thrills and chills?

With Crimson Peak, beloved horror director Guillermo Del Toro sets about creating another period ghost story.

While his previous work of course includes The Devil’s Backbone and Pan’s Labyrinth, both of which are set in and around the Spanish Civil War, this entry on his filmography takes its cues more from classic Gothic melodrama.…

Does Ayoade replicate the success of Submarine with The Double?

 

The Double, the second film of Richard Ayoade – whose first, Submarine, accrued a BAFTA nom for Outstanding Debut – might not receive enough mainstream exposure to completely revamp his image as “Moss from The IT Crowd“, but as far as offbeat, art-house adaptations of Dostoyevsky novellas go, it’s a cracker.