REVIEW: Red Notice (Netflix)

Bromancing the Rock. Jungle Snooze. Indiana Jones and the Temple of Dull.

Dwayne Johnson, Ryan Reynolds, Gal Gadot. Should be a winning combination, but Netflix’s latest somehow manages to make the trio unfunny, uncharming, and even a bit dull.

The streaming service’s second heist-based blockbuster in recent weeks, Red Notice is written and directed by Rawson Marshall Thurber, who previously worked with the actor formerly known as The Rock on both buddy comedy Central Intelligence and actioner Skyscraper.…

PODCAST: Censor & Shadow in the Cloud [Movie RobCast]

Episode 123 of The Movie Robcast is a packed affair.

Rob D makes a Jungle Cruise related confession to kick off.

At 4.00 Rob D then gives a quick overview of this year’s Arrow Video FrightFest film festival, back in the Cineworld Leicester Square for the first time since 2019.…

REVIEW: The Hitman’s Wife’s Bodyguard

Four years and an extra possessive noun later, an unexpected hit of 2017, The Hitman’s Bodyguard, returns for an even more unexpected sequel, The Hitman’s Wife’s Bodyguard’s.

Eponymous bodyguard Michael Bryce (Ryan Reynolds; still snarky, just more tired) is still on the outs following the events of the first film.…

REVIEW GRAB-BAG: The Dark Tower, Logan Lucky, & The Hitman’s Bodyguard

The Dark Tower

Or How to Make Soup out of Stephen King’s Keystone Series.

In brief: Take an epic eight-book series inspired by both Lord of the Rings and Spaghetti Westerns, strip away the character and the uniqueness, boil down the mythology and the plot, and reduce to 95 minutes.…

Deadpool is one half fourth-wall-breaking fun, one half totally run-of-the-mill superhero movie


Okay, let’s do this.

Hard-bitten cop “Dirty” Harry Callahan must save San Francisco from a killer who’s bumping off resident celebrities. No, wait, sorry: that’s The Dead Pool. Deadpool is the latest addition to FOX’s Not-Quite Marvel Cinematic Universe. It’s their Guardians of the Galaxy with the weirdness factor ramped up to eleven.

RIPD is the cinematic equivalent of being in limbo

“Say what you want about the tenets of The Lone Ranger, dude, at least it’s an ethos.”

RIPD, the newest big-budget adaptation of an obscure comic book series, sounds like a concept being sold on its title. Based on the trailer, it looks like a hodgepodge of Men In Black and Ghostbusters, but fails to be much more than derivative schlock.