REVIEW: Halloween Kills

The only thing shocking in Halloween Kills is that it came from same creative team behind Halloween (2018).

It’s Halloween night, 2018, and Laurie Strode’s home is ablaze. She (Jamie Lee Curtis), her daughter Karen (Judy Greer), and granddaughter Alison (Andi Matichak) are blooded and traumatised, but alive.…

REVIEW: Halloween (2018)

Just when you thought it was safe to go back to the suburbs…

In 1978, the world was affected by a trauma so great that it still continues to resonate today.  I’m talking, of course, about John Carpenter’s original Halloween – a sui generis slasher movie  that has inspired eight sequels and a reboot (plus sequel), and now a reboot-sequel that ignores the sequels and the reboot (plus sequel).…

Grandma is an endearing tale of OAP rebellion

 

“Where can you get a reasonably priced abortion in this town?”

Elle Reid is not your run-of-the-mill septugenarian. With her mane of dark hair and her acerbic wit, she’d look more at home at a ‘60s campus demonstration than a retirement community.…

Ant-Man is disposable, throwaway fun, but it might make you think twice next time you step on a bug

 

Marketed as this year’s Guardians of the Galaxy, Ant-Man isn’t as quirky or out-there as its intergalactic predecessor — no Blue Swede on the soundtrack here.

In the unlikely hero department we have Paul Rudd, unsurprisingly immensely likeable as Scott Lang, a scrappy ex con who favors a wry smile over wisecracking and is trying to get his life back on track.…

Jurassic World is business as usual for the InGen Corporation

 

Is there any film whose special effects conjured up such a sense of awe and wonder as Jurassic Park (apart, perhaps, from Star Wars)?

Steven Spielberg’s 1993 installment — sandwiched between Hook and Schindler’s List — effectively gave mankind their first fully-rendered look at the fearfully great lizards (or “dinosaurs”) whose existence on Planet Earth preceded ours by some 65 million years.…