My London Film Festival 2017 – A Rundown (Part 1)

So, here goes it: Part 1 of my three-part rundown of my 2017 London Film Festival experience. With 242 films on display, I didn’t quite get a chance to see everything – though I’m hoping to catch a few more on the Digital Viewing Library, so watch this space.…

REVIEW: The Death of Stalin

What do we do when life imitate art to the extent that it renders art redundant?

Well, in short, you look for relevancy elsewhere.

With Trump still in the White House and Brexit still apparently going ahead, the world is too absurd in itself to get much mileage out of trying to take it further.…

The Incredible Burt Wonderstone is a feat of cinematic mediocrity

 

Stage magic has been something of a gift to cinema in recent years.

2006 saw both Christopher Nolan’s The Prestige, based on the book by Christopher Priest – which followed the exploits of rival magicians Hugh Jackman and Christian Bale – and Neil Burger’s The Illusionist, set in fin de siecle Vienna and starring Edward Norton as the eponymous conjurer who seeks to tear his love, Jessica Biel, away from a corrupt nobleman using feats of prestidigitation.