Kick-Ass 2 opens a mid-sized can of meta whoop-ass

 

Superhero sequels are all about the escalation. Spider-Man 2, X2, The Dark Knight: they all feature villains who come about as a result of the heroes’ actions in the first film.

As The Joker says to Batman, “You’ve changed things – forever”.

A Christmas Carol has plenty of spirit(s) but lacks heart

Christmas, as the saying goes, seems to come earlier every year.

As of my writing this, it is not yet mid November and already, en route to the cinema, the Staines council is decorating for the festive season. Also, for reasons unbeknownst to me, now is the time at which the powers that be have chosen to release the newest version of Charles Dickens’ beloved yuletide classic.

The Incredible Burt Wonderstone is a feat of cinematic mediocrity

 

Stage magic has been something of a gift to cinema in recent years.

2006 saw both Christopher Nolan’s The Prestige, based on the book by Christopher Priest – which followed the exploits of rival magicians Hugh Jackman and Christian Bale – and Neil Burger’s The Illusionist, set in fin de siecle Vienna and starring Edward Norton as the eponymous conjurer who seeks to tear his love, Jessica Biel, away from a corrupt nobleman using feats of prestidigitation.