How do you get a mummy film wrong?
By making it part of a calculated attempt to get a franchise off the ground What Universal could have learned, however, from any of the mad scientists in their catalogue, is the danger of hubris when it comes to this not-so-new world of God’s and monsters.…
For a big summer blockbuster, Pirates Of The Caribbean: Salazar’s Revenge is surprisingly nimble vessel.
Even given its comparatively svelte run-time, whether the film is a voyage worth the taking is another question altogether.
Directed by Norwegian duo Joachim Rønning and Espen Sandberg, the film is more akin to the original installment than its first two sequels – lumbering galleons weighed down with double-crosses – or the leaky lifeboat that was Stranger Tides, the film speeds through its first act like it’s afraid of taking on water.…
Graduation
A rundown estate; shabby, grey blue tower blocks; a cement roadways; a patch of grass; off-screen someone digs.
We never discover who is digging or why, nor who’s responsible for the rock that flies through a living room window that same grey morning.…
Well, that wasn’t so difficult – was it?
After a series of critical misfires, it seems Warner Bros. have finally figured out what was missing from their movie-making formula: fun.
Apart from her brief but winning appearance in Batman V Superman, this marks the long-overdue cinematic debut of perhaps the most iconic female superhero (who’s not somebody’s cousin that is). …
Rules Don’t Apply
A long overdue return from the Hollywood legend behind Bulworth and Reds or just an over-long-gestated vanity project from the over-the-hill subject of Carly Simon’s You’re So Vain?1 Rules Don’t Apply falls, somewhat fascinatingly, occasionally gloriously, into both camps.
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Ever so slightly longer ago in a galaxy pretty well-known to us at this point…
After forty years of galactic-scale family squabbles among the Skywalker clan, Disney’s latest addition to the franchise seeks to remind us that there are other families in the Star Wars universe… to a point.…
The Love Witch
Love is a many-splendoured thing. It can also be deadly, especially when magick’s involved.
Such is the takeaway from The Love Witch, a flawless ’70s-style melodrama from writer-director/musician/editor/set-art-costume-production-designer Anna Biller.
An obvious “passion project”, in more ways than one, the film is a delicious slice of feminist theory masquerading as Technicolour confection.…
Beauty And The Beast (2017)
Obligatory “tale as old as time” reference.
Disney’s original Beauty And The Beast holds a special place in my heart: it was, according to my parents, the first film I ever saw in the cinema; aged just eighteen months.
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SPOILERS
A U.S. flyboy plummets out of the sun; hooked to a parachute.
His fighter plane death-spiraling into a flaming wreck on the white sand of Pacific beach. His panicked grappling with a Japanese pilot, his nemesis; a battle to the death on a clifftop drenched in searing light.…
The Great Wall
To misquote the film’s tagline, “Three years, $150 million to make, what were they hoping to prove?”.
Zhang Yimou’s The Great Wall is at best a misguided curiosity – people kept trooping in and out of my screening like it was a visitor’s ward.…