REVIEWS: Widows (London Film Festival 2018 – Day 1)

A bedroom embrace is wrenched away and instantly replaced with the rear compartment of a getaway van, one door wrenched off its hinge and sparking on the asphalt, as a lover’s playful snarl becomes the shriek of a bullet, ricocheting around the exposed interior.…

Our BAFTA 2018 predictions

By Max Eshraghi

The BAFTA film awards have always been the Oscar’s slightly more unassuming younger sibling.

While it mightn’t be quite as renowned or lavish, we Brits can conclusively make claim to having one thing over on our transatlantic cousins: BAFTA, unlike the so-called Academy Awards, frequently gets it “right”.…

CINEMATIC GRAB-BAG: Beauty And The Beast (2017) & Get Out

Beauty And The Beast (2017)

3 Stars (3 / 5)
Obligatory “tale as old as time” reference.

Disney’s original Beauty And The Beast holds a special place in my heart: it was, according to my parents, the first film I ever saw in the cinema; aged just eighteen months.

Sicario is a moody, sun-bleached thriller set south of the border

4 Stars (4 / 5)

Somewhere between the Wild West and Iraq lies Juarez, Mexico.

A brightly colored urban sprawl with a population of just over 1.3 million, in 2008 its murder rate was the highest in the world: 130 per 100,000. According to Sicario, the latest film from director Denis Villeneuve, it’s a city where mutilated corpses hang from overpasses, a warning from the cartels.…