Café Society: a cinematic pousse-café – guaranteed no hangover

The latest cinematic frivolity from Woody Allen, Café Society is like a well-layered champagne cocktail; smooth and light, but with a deceptively subtle finish.

Set at the height of Hollywood’s Golden Age, the film follows the bright-eyed, slightly smarmy Bobby (Jesse Eisenberg), the latest in a long succession of Allen surrogates, who arrives in L.A.…

London Film Festival 2016: 10 films to get excited about

Well, it’s that time of the year again.

It’s a well-known but little commented upon phenomenon that each year Christmas comes to London roughly three months early – at least for capital-based cinema buffs – as, each October, the BFI hosts the London Film Festival.…

War Dogs does a good job of keep it on the leash

How many more biographical crime comedy-dramas do we need to see about sun-tanned bros and their embodiment of the worst excesses of free-market capitalism?

Based on Rolling Stone reporter Guy Lawson’s “Arms and the Dudes”, War Dogs relates the “based on a true story” account of how two twenty-something small-time arms dealers ended up the recipient of a $300 million military contract to essentially outfit the Afghan army to fend for themselves; the shortcuts they took and the laws they broke to try fulfill the order, including more than 100 million rounds of AK ammo.…

High-Rise is the cinema of concrete and chaos

 

There’s something about the technology-driven dystopias of JG Ballard that appeal to a certain breed of director.

Steven Spielberg’s mainstream adaptation of Empire of the Sun is ironically something of an oddity of an oeuvre encapsulated by the steely paraphilia of David Cronenberg’s Crash.…

Elvis & Nixon, if not quite kingly, certainly won’t leave you feeling crook

How do you a find a new take on not one but two of the most imitated figures in modern history?

From Forrest Gump to Bubba Ho-Tep, Secret Honour to X-Men: Days of Future Past, not to mention the cavalcade of films that bear their names, Elvis Presley and Richard Nixon are probably better known to us as personas than in person; partly by design, of course. 

Adult Life Skills neatly sidesteps the trap of the twee


Adult Life Skills is one of those low-key, quirky dramedies that, if executed poorly, has the potential to be be near enough unwatchable.

Fortunately, as executed by first-time writer-director Rachel Tunnard and her more than able cast, the film is instead a mopey, mirthful study of making magic out of mundanity.

There’s more to The Neon Demon than meets the eye

 

Like its predecessor, Only God Forgives, Danish director Nicholas Winding Refn’s latest, The Neon Demon, was also booed at Cannes. Unlike its predecessor, only the film’s final third might merit any such reaction.

The film starts as a glossy, lurid scrutiny of beauty and what it elicits.

Huge dividends, dramatic or otherwise, are unlikely with Money Monster

 

Jodie Foster’s most recent directorial effort after 2011’s The Beaver, Money Monster seeks to combine the hostage dynamics of Dog Day Afternoon with the financial acumen of The Big Short, but lacks the portfolio to pull it off. 

George Clooney stars as Lee Gates, a smirking Wall Street whiz who makes a living giving out overblown stock tips on a bells-and-whistles cable show called Money Monster.

Everybody Wants Some!! will likely prove the feel-best film of 2016

 

In the last twenty-three years, it’s safe to say that Richard Linklater has moved on from Dazed and Confused. In the case of Everyone Wants Some!!, he hasn’t had to travel very far.

Linklater’s 1993 coming-of-age comedy is arguably the finest cinematic portrayal of the American high school experience since The Breakfast Club.…

Demolition puts too little value on the smashy-smashy

 

Though his career goes back twenty years, including works as varied as ‘70s coming-out/coming-of-age story C.R.A.Z.Y. and prestige period drama The Young Victoria, fifty-three year-old Québécois director Jean-Marc Vallée has since become renowned for life-affirming tales of self-discovery in the wake of tragedy.