There’s more to The Neon Demon than meets the eye

 

Like its predecessor, Only God Forgives, Danish director Nicholas Winding Refn’s latest, The Neon Demon, was also booed at Cannes. Unlike its predecessor, only the film’s final third might merit any such reaction.

The film starts as a glossy, lurid scrutiny of beauty and what it elicits.

Lost River winnows away into nothingness

 

The Merriam-Webster dictionary defines a lost river as “a surface stream that flows into an underground passageway.”

Appropriately, Ryan Gosling’s directorial debut of the same name is all about the lurid surfaces and obscure depths, and cuts a wide and muddy channel across the cinematic landscape.…

Only God Forgives is an unforgivable load of tosh

 

It’d be easy to dismiss Only God Forgives as Drive in Bangkok: as in his previous collaboration with director Nicholas Winding Refn, Ryan Gosling stars as a laconic, almost too-cool protagonist amidst neon lights and bursts of shocking violence.

That’s not the reason you should dismiss Only God Forgives, however.…