PODCAST: Spider-Man: Far From Home & Midsommar [Electric Shadows]

Episode 66 of The Electric Shadows Podcast tackles two different films indeed.

First up we have Spider-Man: Far From Home. Can the latest film in the Marvel Cinematic Universe swing as high as Spider-Man: Homecoming or Avengers: Endgame? Or Into the Spider-Verse for that matter?…

London Film Festival 2016: 10 films to get excited about

Well, it’s that time of the year again.

It’s a well-known but little commented upon phenomenon that each year Christmas comes to London roughly three months early – at least for capital-based cinema buffs – as, each October, the BFI hosts the London Film Festival.…

Demolition puts too little value on the smashy-smashy

 

Though his career goes back twenty years, including works as varied as ‘70s coming-out/coming-of-age story C.R.A.Z.Y. and prestige period drama The Young Victoria, fifty-three year-old Québécois director Jean-Marc Vallée has since become renowned for life-affirming tales of self-discovery in the wake of tragedy.

Nightcrawler makes a scintillating roadshow out of the modern media circus

 

The best films are often a product of the age in which they were made (interesting word that, “product”).

Without the post-‘Nam disillusionment of the mid-‘70s, no Taxi Driver. Without the on-air suicide of TV news reporter Christine Chubbuck the same year, no Network.

End of Watch is a classic of solidity

 

End of Watch is a found-footage style cop drama, directed and written by the writer of Training Day and Street Kings. It’s also markedly better than that sounds.

David Ayers, who also wrote the script for The Fast and the Furious, shoots the majority of the film from the perspective of Officer Brian Taylor (Jake Gyllenhaal), who drives a patrol car in South Central LA with his partner Mike Zavala (Michael Peña).…