Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
White Noise
With White Noise, Noah Baumbach has managed to make a compelling and remarkably coherent dramedy from Don DeLillo’s postmodern epic of optimism and catastrophe.
Jack Gladney (Adam Driver; winningly ungainly with long limbs and beer belly) is a renowned professor of “Hitler studies”, who works at a fictional American college sometime in the 1980s.…
Supernova opens over black – or so it seems. The blackness, we come to realise, is not complete. This is the night sky. There are a pinpricks of light, stars, which seem to multiply.
One flares suddenly and vanishes.…
You may have noticed The Movie Robcast has a lovely new logo image. Created by the rather wonderful Bridge Fazio, we’re thrilled with it. See more of Bridge’s work here.
Episode 79 sees Robs Daniel & Wallis review both the ridiculous and the, not sublime, but well-crafted.…
All Is Lost by way of Theory Of Everything, The Mercy delves into the ill-fated attempt of amateur sailor Donald Crowhust’s (Colin Firth) to compete in the 1968 Sunday Times Golden Globe race; an unprecedented non-stop, one-man boat race around the world.…
While the idea of a working-class lad OHMSS had been covered in slightly more low-key form of Harry Palmer, Matthew Vaughn’s comic-book-inspired Kingsman: The Secret Service was the first to do so while embracing the fundamental silliness of the whole super-spy concept.…
Long before Daniel Craig’s brooding, psychologically complex 007, Sean Connery “yellowed up” to take on a scar-faced megalomaniacal villain in his hidden volcano base, George Lazenby went undercover at an alpine base filled with a bevy of (non-allergenic) beauties, Roger Moore headed into space to battle a metal-mouthed giant (alongside the unlikely named Holly Goodhead), and Timothy Dalton, well, he mostly brooded too.…
As of my writing this, it is not yet mid November and already, en route to the cinema, the Staines council is decorating for the festive season. Also, for reasons unbeknownst to me, now is the time at which the powers that be have chosen to release the newest version of Charles Dickens’ beloved yuletide classic.
