A Most Wanted Man is a fitting elegy to a tremendous talent (RIP, Phillip Seymour Hoffman)

 

Anton Corbijn’s A Most Wanted Man has the distinction of being not only the first John Le Carré adaptation to reach our screens since Tomas Alfredson’s critically acclaimed Tinker, Tailor, Soldier, Spy back in 2011, but also the last leading role of Phillip Seymour Hoffman, who passed away back in February.

A Late Quartet shows what happens when four lives fall in and out of harmony

 

An experienced cellist’s carefully ordered life disintegrates when he is diagnosed with early-onset Parkinson’s.

A monomaniacal first violinist struggles with suppressed passions when a beautiful young student lays claim to his affections. A husband, an insecure second violinist, and wife, a brittle viola player, flounder when forced to confront the reality of their failing marriage.…

The Master is a meditation on faith, sex, and the duality of man

 

The Master is a difficult film to unreservedly love.

For one thing, it’s a far trickier beast than Paul Thomas Anderson’s previous world-beater, the relentless and aptly titled There Will Be Blood. There are no oil-rig explosions, no dairy beverage related analogies, though the film is certainly closer to it’s immediate predecessor in style, tone, and content than any other PTA’s directed.…