Jersey Boys hits the jukebox but misses the stage

Jukebox musicals are a dime a dozen, much like the machine from which they get their name.

Usually focusing on a single band or era of music, they used tried-and-tested narratives as a framework for the hits. Whether it’s Jim Broadbent smarming his way through “Like A Virgin” in Moulin Rouge or Meryl Streep’s recriminatory “Winner Takes it All” in Mama Mia!

A Late Quartet shows what happens when four lives fall in and out of harmony

3.5 Stars (3.5 / 5)

 

An experienced cellist’s carefully ordered life disintegrates when he is diagnosed with early-onset Parkinson’s.

A monomaniacal first violinist struggles with suppressed passions when a beautiful young student lays claim to his affections. A husband, an insecure second violinist, and wife, a brittle viola player, flounder when forced to confront the reality of their failing marriage.…

Seven Psychopaths; or, F**kin’ Hollywood

3.5 Stars (3.5 / 5)

 

Hans: As Gandhi said…’An eye for an eye leaves the whole world blind’. I believe that wholeheartedly.

Billy: No, it doesn’t. There’ll be one guy left with one eye. How’s the last blind guy going to take out the eye of the last guy left whose still got one eye left?