Sin City: A Dame to Kill For shows a franchise that should have stayed buried

 

Hollywood is usually pretty quick off the bat on commissioning sequels – often a picture’s barely made it into cinemas before a follow-up’s been green-lit – but every now and then they leave us twiddling our thumbs.

It’s been nine years since Robert Rodriguez and Frank Miller’s hyper-visual, hyper-violent Sin City made its way onto our screens, long enough that even the most ardent fan had given up hope of a second installment.…

A Most Wanted Man is a fitting elegy to a tremendous talent (RIP, Phillip Seymour Hoffman)

 

Anton Corbijn’s A Most Wanted Man has the distinction of being not only the first John Le Carré adaptation to reach our screens since Tomas Alfredson’s critically acclaimed Tinker, Tailor, Soldier, Spy back in 2011, but also the last leading role of Phillip Seymour Hoffman, who passed away back in February.

Get On Up proves there’s still some soul in the music biopic

 

For a brief time in the mid 2000s, the ’50s-60s musician biopic was the genre du jour.

The life stories of Johnny Cash and Ray Charles both hit the big screen in little over twelve months; the abstracted travails of Bob Dylan reached us two years later in the form of I’m Not There.

Guardians of the Galaxy could be a brave new world for Marvel

 

Having come to define the superhero genre, after nine films and six years, Marvel has finally dared to go a little weird.

While there’s a definite built-in audience for the likes of Iron Man and Captain America, the Guardians of the Galaxy are relative unknowns.…

Hercules (2014) may not be the feat of filmmaking you’re hoping for

 

With Biblical epics are back in vogue thanks to Aronfosky’s Noah, Hollywood have now once more to the rich vein of Greek mythology.

With a physically exemplary Hercules – and more, a bankable star – in the form of the 6’4″, 240lb Dwayne Johnson, it seems almost inevitable that Olympus’ favourite son would be making his way back to the big screen.…

Boyhood is a perfect encapsulation of what it means to be a kid

 

You hear a lot of talk about ambition in film: ambitious scale, ambitious complexity, ambitious effects.

It’s rare though that a story is ambitious simply in its conception, in its commitment to telling a story. Richard Linklater’s Boyhood is such a film, a film that could be said to define his whole body of work.…

How To Train Your Dragon 2 soars high but carries little weight

 

When it comes to computer-animated family fun, the only real contender is Pixar.

Their main rival, Dreamworks, has been mostly reliant on a number of franchises: Shrek, Madagascar, Kung Fu Panda. So far, though, they’re yet to produce anything to rival the artistry of Toy Story.…

Jersey Boys hits the jukebox but misses the stage

Jukebox musicals are a dime a dozen, much like the machine from which they get their name.

Usually focusing on a single band or era of music, they used tried-and-tested narratives as a framework for the hits. Whether it’s Jim Broadbent smarming his way through “Like A Virgin” in Moulin Rouge or Meryl Streep’s recriminatory “Winner Takes it All” in Mama Mia!

Oculus gets you right between the eyes

 

All families, no matter how idyllic, are haunted.

We are all scarred by our experiences, growing up, as adults, however superficially: what we hear – our parents arguing in their bedroom – what we or don’t see – the monster at the foot of the bed.…

22 Jump Street is a chip off the new block

 

Is there any genre quite as enjoyably predictable as the buddy cop movie?

Two officers –one straitlaced, the other a maverick – forced to team up, only to form, despite, or perhaps because of their differences, an abiding friendship. It’s The Odd Couple with armaments.…