REVIEW: It Comes At Night goes nowhere in particular

Why lay the table for a feast if you’re not going to serve a meal that can complete with the place setting?

It’s this shortcoming that ultimately prevents It Comes At Night from becoming more than just another addition to the, in recent years, surprisingly well-worn genre of post-apocalyptic drama-horror.…

Jane Got A Gun isn’t quite sure what to do with itself

 

While the social timeliness of the Western may not be what it once was — even in its most revisionist form it seems a bit old hat — the genre that once defined America seems determined to at least die with its boots on.

Midnight Special lays its light on us

 

The fourth film of 37-year-old Arkansan director Jeff Nichols, Midnight Special feels like a narrative made to fit its title.

Named for an old folk standard, it follows Roy (Michael Shannon), and his son, Alton (Jaeden Lieberher), a goggle-wearing preteen gifted with supernatural abilities.

Black Mass is the parable of Johnny Depp and the Good Acting Choice

 

Everybody loves a good gangster film.

Whether you prefer the shadowy family drama of The Godfather or the stunning expose of Goodfellas, the criminal lifestyle lends itself to a myriad of different portrayals. In the case of Black Mass, it’s the codependent relationship between the Irish-American Mob in South Boston AKA Southie and the FBI.…

Exodus: Gods and Kings is a Biblical epic with a humanist slant

 

Of all the obscure film genres to make a comeback in recent years, who among us expected the resurgence of the Biblical epic?

Thanks to Aronofosky’s triumphantly bats**t crazy Noah, it seems we can now expect a slew of Old Testament supermen to be battling it out with the comic book contingent for control of our screens.…

The Great Gatsby is a glorious encapsulation of the Roaring Twenties but has little to say for it

Great literary adaptations can occur in the most unexpected of places.

Harper Lee’s To Kill a Mockingbird is widely regarded as one of the greatest works of fiction ever written and its 1962 adaptation starring Gregory Peck comes in at #25 on the AFI’s list of greatest American movies.…