Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
As such, it’s understandable that UK audiences might not be entirely comfortable with the notion of Mr.…
It’s 1988, and Colorado Senator Gary Hart (Hugh Jackman) seems like the ideal candidate for the Democratic nomination.…
All Is Lost by way of Theory Of Everything, The Mercy delves into the ill-fated attempt of amateur sailor Donald Crowhust’s (Colin Firth) to compete in the 1968 Sunday Times Golden Globe race; an unprecedented non-stop, one-man boat race around the world.…
Based on Lynne Reid Banks’ book of the same name, the film follows Jane (an Oscar-nominated Leslie Caron), a twenty-seven year-old French émigré who arrives in early-60s London.…
So, here goes it: Part 2 of my three-part rundown of my 2017 London Film Festival experience. Part 1 is available here.
Call Me By Your Name
A story of sex, sculpture, and self-discovery, Call Me By Your Name is the latest in a recent trend of achingly sensitive LGBT romantic dramas that seem to hold such an allure for me.…
So, here goes it: Part 1 of my three-part rundown of my 2017 London Film Festival experience. With 242 films on display, I didn’t quite get a chance to see everything – though I’m hoping to catch a few more on the Digital Viewing Library, so watch this space.…
It’s misery and anguish that are the heart of Mudbound, Dee Rees’ Netflix-bound period drama about farmers in early 20th Century Mississippi.…
Based partly on Lee’s own upbringing, God’s Own Country follows the travails of Johnny (Josh O’Connor), a nervy, inarticulate young man who’s stuck running the family farm when his dad Martin (Ian Hart) is left debilitated by a stroke.…
Daphne (Emily Beecham) is a stylishly insouciant redhead in her early thirties, living and working in contemporary London.
She gets drunk on a nightly basis and hooks up with random guys.…
Such is the takeaway from The Love Witch, a flawless ’70s-style melodrama from writer-director/musician/editor/set-art-costume-production-designer Anna Biller.
An obvious “passion project”, in more ways than one, the film is a delicious slice of feminist theory masquerading as Technicolour confection.…
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