REVIEW: The Power of the Dog (London Film Festival 2021)

Jane Campion return to filmmaking after a twelve-year hiatus with a composed yet striking rumination on masculinity and repression.

The second Netflix western of the festival, The Power of the Dog starts as a tale of two brothers – the plump, well-scrubbed George (Jesse Plemons, an undemonstrative Newfoundland dog) and the lean, raw-boned Phil (Benedict Cumberbatch, a sharp-eyed Border Collie) – who run a large ranch in Montana circa 1925.…

X-Men: Apocalypse blows through quickly and entertainingly enough

 

In the hinterland between the extreme competency of Marvel and the trainwreck-clusterfuck that is the DC Cinematic Universe there lies the X-Men.

With its respectable (but by no means perfect) batting average and increasingly dysfunctional relationship with continuity, the franchise is a fairly unique position with regards to superhero movies.…

Slow West, my son: Go see

 

The genre in which John Wayne once set out to kill his niece because she’d had hands laid on her by an “Injun” has become more reflective in recent years; elegiac even.

The Western is now less concerned with drawling former Confederates and more about allegory, about the decline of myth and the uncertain rise of civilization al a Unforgiven or The Assassination of Jesse James by the Coward Robert Ford.…