PODCAST: LFF 2021 – The Power of the Dog, Nitram, The Lost Daughter, Dashcam, Benediction, Petite Maman, Benedetta, & King Richard [Movie Robcast]

Episode 131 is our penultimate London Film Festival wrap-up episode, and it’s a bumper one.

At 2:55 we review the new Benedict Cumberbatch film The Power of the Dog.

At 11.20 we give our thoughts on the Cannes award-winning and hard-hitting drama Nitram.…

REVIEW: The Power of the Dog (London Film Festival 2021)

Jane Campion return to filmmaking after a twelve-year hiatus with a composed yet striking rumination on masculinity and repression.

The second Netflix western of the festival, The Power of the Dog starts as a tale of two brothers – the plump, well-scrubbed George (Jesse Plemons, an undemonstrative Newfoundland dog) and the lean, raw-boned Phil (Benedict Cumberbatch, a sharp-eyed Border Collie) – who run a large ranch in Montana circa 1925.…

PODCAST: London Film Festival 2021 Preview [Movie RobCast]

Episode 126 of The Movie Robcast previews this year’s BFI London Film Festival.

Back in cinemas after a largely digital outing in 2020 for obvious reasons, the festival this year offers its typically vast range of movies (and TV series) from around the globe.…

PODCAST: 1917 & The Gentlemen [The Movie RobCast]

You may have noticed The Movie Robcast has a lovely new logo image. Created by the rather wonderful Bridge Fazio, we’re thrilled with it. See more of Bridge’s work here.

Episode 79 sees Robs Daniel & Wallis review both the ridiculous and the, not sublime, but well-crafted.

Black Mass is the parable of Johnny Depp and the Good Acting Choice

 

Everybody loves a good gangster film.

Whether you prefer the shadowy family drama of The Godfather or the stunning expose of Goodfellas, the criminal lifestyle lends itself to a myriad of different portrayals. In the case of Black Mass, it’s the codependent relationship between the Irish-American Mob in South Boston AKA Southie and the FBI.…

August: Osage County is an overstuffed goose of a family drama

 

August: Osage County opens amidst the hay bales of the American Midwest and with the words of T.S. Eliot – “Life is very long”.

The truest expression of this stage-play adaptation lies in the cramped confines of the Westen family’s plantation-style home and the words of W.B.…

The Hobbit: The Desolation of Smaug loses its treasures amid ersatz

 

Like a winged beast from the North, The Hobbit: The Desolation of Smaug is upon us.

Its predecessor, An Unexpected Journey – Peter Jackson’s first film as director since 2009’s The Lovely Bones and our first return to Middle-Earth in nine years – was notably not one of my favorite films of the previous year.…

12 Years a Slave is a stunning and necessary reminder of the insidious evils of slavery

 

12 Years a Slave is the tale of Solomon Northup (Chiwetel Ejifor), a free black man and professional violinist in the mid 19th Century northeastern United States who, in 1841, was kidnapped and sold into slavery.

The third film of Steve McQueen, 12 Years a Slave feels, from the off, like a more mature approach to “the problem” of slavery than either of its two most immediate predecessors.…

Star Trek Into Darkness helps bring the franchise back into the light

We are living in the New Hollywood of pop culture.

Just as Martin Scorsese, Steven Spielberg and Stanley Kubrick grew up on a diet of Welles, Kazan and Hitchcock, the new generation of filmmakers – Abrams, Whedon, Nolan – were weaned on TV, sci-fi, fantasy and comic books: Star Wars was their Rashomon.…