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Jane Campion return to filmmaking after a twelve-year hiatus with a composed yet striking rumination on masculinity and repression.
The second Netflix western of the festival, The Power of the Dog starts as a tale of two brothers – the plump, well-scrubbed George (Jesse Plemons, an undemonstrative Newfoundland dog) and the lean, raw-boned Phil (Benedict Cumberbatch, a sharp-eyed Border Collie) – who run a large ranch in Montana circa 1925.…
Episode 122 of The Movie Robcast casts an eye over James Gunn’s The Suicide Squad and the Dwayne Johnson and Emily Blunt starring Jungle Cruise.
Rob D’s eye is a little grumpier than the kind-hearted Rob W, so you’ll have to listen and see which team you’re on.…
It’s been a minute since our last episode so #110 is a bumper wrap-up of what the Robs have been watching.
First, the shocking revelation that Gerard Butler has made a good movie with end-of-days disaster movie Greenland, currently available on Amazon Prime.…
For a filmmaker whose first script, Being John Malkovich, plunged us, literally, into the head of a revered character actor and whose most recent, Anomalisa, was a stop-motion meditation on individuality, a couple’s car journey to visit the boyfriend’s parents might seem a bit… prosaic?…
Whether you prefer the shadowy family drama of The Godfather or the stunning expose of Goodfellas, the criminal lifestyle lends itself to a myriad of different portrayals. In the case of Black Mass, it’s the codependent relationship between the Irish-American Mob in South Boston AKA Southie and the FBI.…
2015 was the year of onscreen espionage: Spy, Kingsman, Mission: Impossible, and, of course, Specter. Bridge of Spies seems like the first one likely to trouble Uncle Oscar.
The film opens in 1957 at the “height of the Cold War” as a title card helpfully informs us.…
A man on a racing bike waggles his way up a scrubby hillside – his progress is measured, a gradual, steady ascent. Whether or not this is slow motion, it feels like it.…
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