REVIEW: Sorry To Bother You (LFF 2018 – Day 2)

The directorial debut of Boots Riley, Sorry To Bother You is a delirious satire about, among other things, the sacrifice and self-compromise required to make a success of yourself in present-day America.

Cassius Green (Lakeith Stanfield), ironically known as Cash, is broke and living in his uncle’s garage with his girlfriend, free spirit Detroit (Tessa Thompson).…

REVIEWS: Widows (London Film Festival 2018 – Day 1)

A bedroom embrace is wrenched away and instantly replaced with the rear compartment of a getaway van, one door wrenched off its hinge and sparking on the asphalt, as a lover’s playful snarl becomes the shriek of a bullet, ricocheting around the exposed interior.…

PODCAST: The Big 5-0 [Electric Shadows]

In this episode of The Electric Shadows Podcast, Robs Daniel & Wallis are slightly stunned to realise they’ve reached the big 5-0: their 50th podcast!

To mark the occasion they discuss their formative movies, which movie makers made the biggest impression on them, and why films are just so darn important.…

PODCAST: BFI London Film Festival 2018 preview, BlacKkKlansman, & FrightFest 2018 roundup [Electric Shadows]

Episode 49 is a bumper edition of The Electric Shadows Podcast.

Robs Daniel and Wallis round-up FrightFest 2018; Rob D waxes enthusiastic about Pascal Laugier’s Incident in a Ghostland and Sam Ashurst’s Frankenstein’s Creature and Rob Wallis is impressed with Gaspar Noe’s Climax… so to speak.…

PODCAST: London Film Festival 2017 round-up [Electric Shadows]

Episode 31 of The Electric Shadows Podcast sees Robs Daniel & myself rounding up our top 10 highlights of the 2017 London Film Festival.

Lucky, The Shape of Water, Last Flag Flying, and Three Billboards Outside Ebbing, Missouri all feature highly.…

London Film Festival 2017 – A Rundown (Part 2)

So, here goes it: Part 2 of my three-part rundown of my 2017 London Film Festival experience. Part 1 is available here.

 

Call Me By Your Name

A story of sex, sculpture, and self-discovery, Call Me By Your Name is the latest in a recent trend of achingly sensitive LGBT romantic dramas that seem to hold such an allure for me.…

My London Film Festival 2017 – A Rundown (Part 1)

So, here goes it: Part 1 of my three-part rundown of my 2017 London Film Festival experience. With 242 films on display, I didn’t quite get a chance to see everything – though I’m hoping to catch a few more on the Digital Viewing Library, so watch this space.…

REVIEW: The Shape of Water & Brawl in Cell Block 99 (LFF Day 6)

Okay, so I may have skipped a few days, but both of these films were fresh in my mind and my thoughts on them actually seem to have made it onto the page in semi-presentable form.

 

The Shape of Water

With The Shape of Water, Guillermo Del Toro has delivered a film that is at once a luminous love letter to ‘50s sci-fi and a pricking commentary on prejudice.

London Film Festival 2017 – An Update

Okay, so, I’m just under a week into London Film Festival 2017 and, to be honest, I’m already knackered (boo hoo, woe is me, right?).

As it stands, I’ve seen thirteen films; which isn’t that many compared to previous years, but I’m struggling to find the head-space to write about any one of them.…

REVIEW: Battle of the Sexes & The Meyerowitz Stories (LFF Days 2-3)

Battle of the Sexes

The real-life Battle of the Sexes, the 1973 tennis match between women’s world champion Billie Rae King and former men’s champion Bobby Riggs, is an event that might well have been conceived with dramatisation in mind.

To say that the film version, co-directed by Jonathan Dayton and Valerie Faris (Little Miss Sunshine), in a populist, mainstream sports biopic takes nothing away from it.…