REVIEW: He Dreams of Giants

Writing about He Dreams of Giants feels a bit like Kirk Lazarus talking about his acting process.

2002’s Lost in La Mancha was a making-of in search of a finished product. Terry Gilliam’s The Man Who Killed Don Quixote, whose troubled production it documents, was one of the great unfinished movies – until it wasn’t.…

Jupiter Ascending aims for the stars and ends up burying itself

 

Arthur C. Clarke famously wrote that “Any sufficiently advanced technology is indistinguishable from magic”.

By the same token, any sufficiently misconceived work of science fiction is apparently indistinguishable from utter bollocks. Case in point: the Wachowski’s latest bloated epic, Jupiter Ascending; a film that substitutes the interconnectedness of the flawed but ambitious Cloud Atlas for a story with just as much scope and infinitely less point.…

For all its ideas, Zero Theorem is simply an entertaining zero-sum game

 

Terry Gilliam’s first film since the ill-fated, but enjoyable Imaginarium of Doctor Parnassus, Zero Theorem showcases the former Python animator’s uniquely discordant worldview, as well as confirming Christoph Waltz as a supreme resource for any talented director.

The bald-headed, hunched-over, strangely grotesque Qohen is light years away from the smooth Hans Landa or charming Schultz.…

The Imaginarium of Doctor Parnassus is one half poet, one half charlatan, and entirely nuts

Okay, let’s get the major issues out of the way: No, The Imaginarium of Doctor Parnassus is not former Python Terry Gilliam’s best film.

That honor is reserved for Brazil, Orwell’s 1984 via German Expressionism.

Nor is it the late Heath Ledger’s defining performance – whether you prefer Brokeback‘s closeted cowboy or the anarchic philosophizing of his Joker in The Dark Knight, both are, in my opinion, far more notable.…