Of all the film sites on all the nodes of the internet, you ended up here, so thanks for that
No spoilers here, and also no spoilers for the film itself until the podcast gets into the spoiler zone.…
First up, DC’s Shazam! Has the (justice) beleaguered studio finally cracked the code for how they can make superhero films to rival those over at Marvel?
Get Out was not only a smash hit, but has arguably been responsible for the critical rehabilitation of the horror genre; looked down on for decades as the province of jump scares and slasher flicks.…
Is it indeed Marvel-lous? Or does the cookie cutter filmmaking bite deep? We won’t spoil the surprises, but let’s just say Brie Larson delivers one of the liveliest performances in the MCU.…
In episode 53, Robs Daniel and Wallis along with special guest Ian Bird took a 50th anniversary look at George A. Romero’s 1968 horror classic.…
In episode 57 of The Electric Shadows Podcast, Robs Daniel and Wallis deliver their verdict on Bohemian Rhapsody winning most Oscars at this year’s ceremony and Green Book picking up the Best Picture statuette.…
Released: February 22nd
Director: Hans Petter Moland
Writer: Frank Baldwin (based on Kim Fupz Aakeson’s In Order Of Disappearance)
Cast: Liam Neeson, Laura Dern, Tom Bateman, Emmy Rossum, Dominic Lombardozzi, Domenick Forsythe, John Doman, Tom Jackson
Cert: 15
Duration: 118 minutes
It’s been five years since icy black Norwegian comedy In Order Of Disappearance blew through cinemas.…
They discuss the insanity, or at least inanity, of nominating Bohemian Rhapsody for Best Picture, and how safe the Best Picture nods are in general. They’re happy Spike Lee finally has his Best Director nomination, and acknowledge a few other things the Academy got right.…
His first foray into the genre, Unbreakable, long before the birth of the comic-book franchise, was a subtle deconstruction that made a character study of comic-book archetypes.…
Despite the best attempts of director Robert Zemeckis and star Steve Carrell, Welcome To Marwen would seem to fall into the latter camp; its conceptual oddity outweighing its Walter Mitty-esque appeal, despite its unique based-on-a-true-story credentials.…
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